The Christmas Oratorio begins in the 1930s, when Solveig Nordensson (wife of Aron and mother of Sidner) is accidentally killed. The grieving family abandons its home and moves to another town, hoping to start afresh, but finds that its emotional burdens have emigrated with it. Aron, bereft by the loss of his wife, starts "seeing" her in capricious hallucinations, and tragically seeks her reincarnation in a love-starved woman half a world away. The introverted Sidner begins a quest for emotional maturity that leads him into odd friendships with a remarkably self-reliant street boy and a free-spirited older woman. And grandson Victor, heir to the tortured legacy left by Solveig's death, finds redemption for himself in a staging of Bach's Christmas Oratorio - a performance begun by Solveig half a century earlier and interrupted by her tragic death.

Essays on Swedish authors of the twentieth-century include prominent Swedish writers from different decades, movements, genres and gender, with preference given to authors published in English translation. Fenno-Swedish writers have also been included since they write in Swedish and are part of the Swedish cultural history. Discusses the establishment of the Nobel Prizes, as well as poets of lyrical modernism, proletarian realists, autodidacts, and contemporary poetry.

Brilliant. The work of Scobbie and company deserves wide distribution-World Literature Today. This is the best single volume history of modern Swedish literature available and this new edition makes it even better. With over one hundred pages of ne

This title was first published in 2003. The sixth edition of this compendium of film and television adaptations of books and plays includes several thousand new listings that cover the period from 1992 to December 2001. There are 8000 main entries, covering 70 years of film history, including some foreign language material.

Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film scenarios produced in 1986 to the present day. Divided into six sections by continent, the entries give an overview of the history of women screenwriters in each country, as well as individual biographies of its most influential.