"A brutal murder, a suspect in jail, and an execution planned, but what if the wrong person is about to be executed? When a fellow U.S. Marshal asks Anita Blake to fly to a tiny community in Michigan's Upper Peninsula on an emergency consult, she knows time is running short. When she gets there, there is plenty of proof that a young wereleopard killed his uncle in the most gruesome and bloodiest way possible. As the mounting evidence points to him, a warrant of execution is already under way. But something seems off about the murder, and Anita has been asked to examine the crime scene and the evidence for her expert opinion. Despite the escalating pressure from local cops and the family's cries for justice for their dead patriarch, Anita quickly realizes that the evidence doesn't quite add up. But with a tight-knit community up in arms and fear against supernaturals growing, time is almost up, as Anita races to uncover the truth and determine whether the Marshals have caught the killer or are about to execute an innocent man, all in the name of justice."--

From Zack Snyder, the director of 300 and Watchmen, comes Sucker Punch; an epic action fantasy that takes us into the vivid imagination of Babydoll - a young girl, whose dream world provides the ultimate escape from her darker reality. Unrestrained by the boundaries of time and place, she is free to go where her mind takes her, but her incredible adventures blur the lines between what’s real and what is imaginary…with potentially tragic consequences. In this official book, Snyder guides you through the many amazing worlds and characters of the film, with eye-popping production art and stunning photographs by Clay Enos (Watchmen: Portraits).

Working as an unlicensed private investigator, Cal Innes accompanies an amateur boxer to his first major tournament in Los Angeles, but his simple job soon turns deadly, thanks to rumors of a rigged bout, and the boxer's temper and codeine habit.

It's the summer before senior year, and Marcus should be hanging out, filling his sketchbook, maybe asking a girl out for once. So why is he in a car with his brother, his brother's girl, and the pistol, headed straight toward his dad? David Hernandez writes with striking lyricism and unfaltering poise. Suckerpunch marks the debut of a superb and important new literary talent.

In Spiking the Sucker Punch, Robbie Q. Telfer's first published collection, the author profiles the modern comedian from the inside out - starting with the innards and moving toward a damaged laughter. His work blends surrealism and narrative, bending grammar and expectations along the way. These pieces interrogate identity, place, and lead the reader to a much higher understanding of bears. This gloriously bellowed lyrical and linguistic chaos, this ‘mess of crossed wires and mixed seagulls,’ will make your status quo ache, your perceptions implode, your horizons widen and shatter. -Patricia Smith, “Blood Dazzler” Robbie Q, our dazzling shooting star sparking the gritty Chicago heavens, crackling with the surprising and contradictory rhythms of life on the run and in the heat. Keep on, Brother Q, dance the dialectic, your wild inspired unruly convergence and conspiracy. -Bill Ayers, activist/educator/author In Spiking the Sucker Punch, Robbie Q. Telfer rocks out a bestiary of antic poetics all his own. In his open and generous hands, speech acts zoom in and out of our collective desire to live and love. You will feel alive again reading it. -Daniel Nester, “How to Be Inappropriate”

Right, you know the rules, watch the low blows, if it's a knock-down no messing about, go straight to your corner, and don't come out till called for, are we clear? Touch gloves, let's go. In the red corner: Leon Davidson - Black British champ or Uncle Tom? In the blue corner: Troy Augustus - American powerhouse or naive cash cow? Having spent their youth in the same London boxing gym, vying for the favouritism of inspirational, foul-mouthed trainer Charlie Maggs, the two former friends step into the ring and face up to who they are. Boxing has dominated their lives with an unhoped-for structure and meaning, but it becomes clear that it is no substitute for their health, family, and friends. Roy Williams' Sucker Punch looks back on what it was like to be young and black in the 1980s and asks if the right battles have been fought, let alone won. With an introduction by Harry Derbyshire, Lecturer in English and Drama at the University of Greenwich.

"Everything that he has done was against this country." Joe Frazier on Muhammad Ali Part man, part myth, and all American, Muhammad Ali is history's most beloved, most revered athlete. But though he was "The Greatest" inside the ring, outside he was a hulking mass of contradictions. This book is the first comprehensive, pull-no-punches account of America's least likely icon. Jack Cashill explores the changing mores and racial dynamics of the sixties alongside Ali's epic battles in the ring. "What Ali did, great or otherwise, was to channel the spirit of his age. . . . He captured the ethos of that decade all too well. It wasn't pretty. I was there, and I know what I saw." Cashill reveals how Elijah Muhammad seduced Ali--and how that seduction spelled the betrayal of Dr. King's dream, the death of Malcolm X, the humiliation of Joe Frazier, the rise of Don King, and the tragic undoing of Mike Tyson--and proves that: Ali was an unapologetic sexist and unabashed racist, calling for the lynching of interracial couples and an American apartheid as late as 1975. Ali routinely denigrated black heroes who did not share his point of view, including Joe Louis, Jackie Robinson, Thurgood Marshall, and especially Joe Frazier. Ali shamelessly courted some of the most brutal dictators on the planet: Qadaffi, Idi Amin, Papa Doc Duvalier, Nkrumah, Mobutu, and Ferdinand Marcos. With unusual sympathy and unflinching insight, Cashill assesses Ali's boxing conquests and political influence. He shows how the very figure who could have brought America's diverse people together when it mattered, instead tore them apart. Jack Cashill has written and directed The Holocaust through Our Own Eyes, The Soul of the West and the Emmy-Award winning The Royal Years among other documentaries for regional PBS and national cable channels. Cashill has a Ph.D. in American studies from Purdue and has been published in the Wall Street Journal, Washington Post, Fortune, Weekly Standard, WorldNetDaily, and Ingram's, where he serves as executive editor. He is also the author of First Strike, Ron Brown's Body, and Hoodwinked: How Intellectual Hucksters Have Hijacked American Culture.