It's the year of our Lord 1971, and Maureen O'Neill is one of the smartest girls at Fatima Academy. One of the funniest, too. Her teachers don't like it, but her friends think she's a riot. But one day her world begins to crumble apart, and Maureen is forced to keep a terrible secret. Meanwhile, the girls are whispering about her, the boys are starting to notice her, and the teachers are driving her crazy. The Secret Life of a Funny Girl is award-winning writer Susan Chalker Browne's tenth book for children and her first young adult novel.

After the gardener spanks her bottom and a nun at her elite finishing school seduces her in the catacombs, Bella realises that sex was what she was born for. She adores wearing a dildo and deflowering virgins just as much as she adores indulging the roguish Christian Thomas with his addiction to fruit salads and bondage. Then Bella's world comes tumbling down. She learns that her beloved Ickham Manor doesn't belong to her, it belongs to her wicked stepfather. Sex has been fun. Now it is the weapon she uses to put her world back together again. Bella entraps her stepfather in a lewd act on video. She stars in a porn flick and, as her song on the soundtrack makes her a tabloid celebrity, Bella is at the beginning of an erotic ride into the showbiz world of pain and perversion, of domination and glorious submission.

Putting it together, bit by bit: an insider’s look at the anatomy of the Broadway musical

"I've done everything in the theatre except marry a property man," Fanny Brice once boasted. "I've acted for Belasco and I've laid 'em out in the rows at the Palace. I've doubled as an alligator; I've worked for the Shuberts; and I've been joined to Billy Rose in the holy bonds. I've painted the house boards and I've sold tickets and I've been fired by George M. Cohan. I've played in London before the king and in Oil City before miners with lanterns in their caps." Fanny Brice was indeed show business personified, and in this luminous volume, Herbert G. Goldman, acclaimed biographer of Al Jolson, illuminates the life of the woman who inspired the spectacularly successful Broadway show and movie Funny Girl, the vehicle that catapulted Barbra Streisand to super stardom. In a work that is both glorious biography and captivating theatre history, Goldman illuminates both Fanny's remarkable career on stage and radio--ranging from her first triumph as "Sadie Salome" to her long run as radio's "Baby Snooks"--and her less-than-triumphant personal life. He reveals a woman who was a curious mix of elegance and earthiness, of high and low class, a lady who lived like a duchess but cursed like a sailor. She was probably the greatest comedienne the American stage has ever known as well as our first truly great torch singer, the star of some of the most memorable Ziegfeld Follies in the 1910s and 1920s, and Goldman covers her theatrical career and theatre world in vivid detail. But her personal life, as Goldman shows, was less successful. The great love of her life, the gangster Nick Arnstein, was dashing, handsome, sophisticated, but at bottom, a loser who failed at everything from running a shirt hospital to manufacturing fire extinguishers, and who spent a good part of their marriage either hiding out, awaiting trial, or in prison. Her first marriage was over almost as soon as it was consummated, and her third and last marriage, to Billy Rose, the "Bantam Barnum," ended acrimoniously when Rose left her for swimmer Eleanor Holm. As she herself remarked, "I never liked the men I loved, and I never loved the men I liked." Through it all, she remained unaffected, intelligent, independent, and, above all, honest. Goldman's biography of Al Jolson has been hailed by critics, fellow biographers, and entertainers alike. Steve Allen called it "an amazing job of research" and added "Goldman's book brings Jolson back to life indeed." The Philadelphia Inquirer said it was "the most comprehensive biography to date," and Ronald J. Fields wrote that "Goldman has captured not only the wonderful feel of Al Jolson but the heartbeat of his time." Now, with Fanny Brice, Goldman provides an equally accomplished portrait of the greatest woman entertainer of that illustrious era, a volume that will delight every lover of the stage.

Fourteen-year-old Haylah dreams of being a stand-up star, but when her friends thrust her into the spotlight, she's not confident a plus-sized girl like her belongs onstage. Haylah Swinton is pretty confident she's mastered making light of every situation―from her mom's ugh boyfriend to classmates making unsolicited remarks on her figure. She logs all her best jokes in the hopes of one day busting out a fabulous set that will keep everybody laughing with her and not at her. After botching an open mic night, Haylah learns that her longtime crush, the impossibly cool Leo, is also into comedy. And when Leo provides her an opportunity to live vicariously by ghostwriting his sets for an upcoming festival, Haylah jumps at the chance. What a great way to get her material out there without totally bombing herself! But are Leo's intentions in Haylah's best interests? Despite warnings from her friends, Haylah's not ready to listen―and she might just be digging herself deeper toward heartbreak. If Haylah's ever going to take center stage, first she'll need to find the confidence to put herself out there and strut like the comedy queen she truly is. This contemporary YA rom-com stars a strong, memorable heroine and features a story full of heart, humor, and relatable themes of body image, dreams, and self-esteem.

Three Baltimore girls--Charlie, convinced her man is having an affair with a work colleague; Emerson, caught in a love triangle; and Mikayla, who finds out her mother has been murdered--carry secrets and deal with challenges that could derail even the toughest women.