Archer, a teacher from the city, has come to the Gare farm to stay while she teaches in the nearby school. As she continues to learn about life in the country, she begins to realize the plight of the family she is staying with. The strict Caleb Gare uses blackmail and punishment to get what he wants, but how secure is his position? When the young Mark Jordan, the son of his wife with another man, arrives, he tries even harder to retain control over the family. With all of his machinations failing around him, Caleb is quickly losing control over his family and consequently, over his farm.

This book was the author’s first novel for which she won the Dodd Mead First Novel Award in 1925.

Mary Oliver is one of America's best-loved poets, the winner of the Pulitzer Prize and the National Book Award. Her luminous poetry celebrates nature and beauty, love and the spirit, silence and wonder, extending the visionary American tradition of Whitman, Emerson, Frost and Emily Dickinson. Her extraordinary poetry is nourished by her intimate knowledge and minute daily observation of the New England coast, its woods and ponds, its birds and animals, plants and trees.

The Milton family, after years of traveling around, settles on a farm in Vermont but, to their surprise, the townspeople refuse to accept them.

Mori Ogai (1862–1922), one of the giants of modern Japanese literature, wrote The Wild Goose at the turn of the century. Set in the early 1880s, it was, for contemporary readers, a nostalgic return to a time when the nation was embarking on an era of dramatic change. Ogai’s narrator is a middle-aged man reminiscing about an unconsummated affair, dating to his student days, between his classmate and a young woman kept by a moneylender. At a time when writers tended to depict modern, alienated male intellectuals, the characters of The Wild Goose are diverse, including not only students preparing for a privileged intellectual life and members of the plebeian classes who provide services to them, but also a pair of highly developed female characters. The author’s sympathetic and penetrating portrayal of the dilemmas and frustrations faced by women in this early period of Japan’s modernization makes the story of particular interest to readers today. Ogai was not only a prolific and popular writer, but also a protean figure in early modern Japan: critic, translator, physician, military officer, and eventually Japan’s Surgeon General. His rigorous and broad education included the Chinese classics as well as Dutch and German; he gained admittance to the Medical School of Tokyo Imperial University at the age of only fifteen. Once established as a military physician, he was sent to Germany for four years to study aspects of European medicine still unfamiliar to the Japanese. Upon his return, he produced his first works of fiction and translations of English and European literature. Ogai’s writing is extolled for its unparalleled style and psychological insight, nowhere better demonstrated than in The Wild Goose.

The Temple of the Wild Geese, a semi-autobiographical account of Mizukami's childhood, tells the tale of Jinen, a Buddhist monk raised by villagers after his mother, a beggar, abandoned him. Sent to live at a temple at the age of ten, his resentment smolders for years until it explodes in a shocking climax. In Bamboo Dolls of Echizen, no woman is willing to marry the diminutive Kisuke, a bamboo artisan, until Tamae, a prostitute, comes to pay her respects at the grave of Kisuke's father. In Tamae, Kisuke sees shadows of his own mother, who died when he was young, and the two eventually marry. Since Kisuke seeks only motherly affection from Tamae, the two never become lovers. Instead, Tamae devotes herself to caring for Kisuke as a mother would, and he thrives as a renowned maker of bamboo dolls.

In order to save her sick grandmother, Truzjka embarks on a fanciful journey to find the answer to the question of where the wild geese go.