Presenting startling new biographical details about Timothy McVeigh and exposing stark contradictions and errors contained in previous depictions of the "All-American Terrorist," this book traces McVeigh's life from childhood to the Army, throughout the plot to bomb the Alfred P. Murrah Federal Building and the period after his 1995 arrest until his 2001 execution. McVeigh's life, as Dr. Wendy Painting describes it, offers a backdrop for her discussion of not only several intimate and previously unknown details about him, but a number of episodes and circumstances in American History as well. In Aberration in the Heartland, Painting explores Cold War popular culture, all-American apocalyptic fervor, organized racism, contentious politics, militarism, warfare, conspiracy theories, bioethical controversies, mind control, the media's construction of villains and demons, and institutional secrecy and cover-ups. All these stories are examined, compared, and tested in Aberration in the Heartland of the Real, making this book a much closer examination into the personality and life of Timothy McVeigh than has been provided by any other biographical work about him

In the early morning of April 19, 1995, Timothy McVeigh drove into downtown Oklahoma City in a rented Ryder truck containing a deadly fertilizer bomb that he and his army buddy Terry Nichols had made the previous day. He parked in a handicapped-parking zone, hopped out of the truck, and walked away into a series of alleys and streets. Shortly after 9:00 A.M., the bomb obliterated one-third of the Alfred P. Murrah Federal Building, killing 168 people, including 19 infants and toddlers. McVeigh claimed he'd worked only with Nichols, and at least officially, the government believed him. But McVeigh's was just one version of events. And much of it was wrong. In Oklahoma City, veteran investigative journalists Andrew Gumbel and Roger G. Charles puncture the myth about what happened on that day—one that has persisted in the minds of the American public for nearly two decades. Working with unprecedented access to government documents, a voluminous correspondence with Terry Nichols, and more than 150 interviews with those immediately involved, Gumbel and Charles demonstrate how much was missed beyond the guilt of the two principal defendants: in particular, the dysfunction within the country's law enforcement agencies, which squandered opportunities to penetrate the radical right and prevent the bombing, and the unanswered question of who inspired the plot and who else might have been involved. To this day, the FBI heralds the Oklahoma City investigation as one of its great triumphs. In reality, though, its handling of the bombing foreshadowed many of the problems that made the country vulnerable to attack again on 9/11. Law enforcement agencies could not see past their own rivalries and underestimated the seriousness of the deadly rhetoric coming from the radical far right. In Oklahoma City, Gumbel and Charles give the fullest, most honest account to date of both the plot and the investigation, drawing a vivid portrait of the unfailingly compelling—driven, eccentric, fractious, funny, and wildly paranoid—characters involved.

A Los Angeles Times reporter makes use of hundreds of interviews, including a detailed, exclusive interview with Timothy McVeigh, to explore McVeigh's motives--and the movement behind them--for bombing the Oklahoma City federal building in 1995.

This title provides the truth about George W. Bush: how he dodged the draft,as a mediocre student at Yale, lost a lot of other people's money in boomimes in the Texas oil market, and was investigated by the SEC for insiderrading. It is a life of special favours, cut corners and blurry values.

The specter of the marauding serial killer has become a relatively common feature on the American landscape. Reactions to these modern-day monsters range from revulsion to morbid fascination--fascination that is either fed by, or a product of, the saturation coverage provided by print and broadcast media, along with a dizzying array of books, documentary films, websites, and "Movies of the Week". The prevalence in Western culture of images of serial killers (and mass murderers) has created in the public mind a consensus view of what a serial killer is. Most people are aware, to some degree, of the classic serial killer 'profile.' But what if there is a much different 'profile'--one that has not received much media attention? In Programmed to Kill, acclaimed and always controversial author David McGowan takes a fresh look at the lives of many of America's most notorious accused murderers, focusing on the largely hidden patterns that suggest that there may be more to the average serial killer story than meets the eye. Think you know everything there is to know about serial killers? Or is it possible that sometimes what everyone 'knows' to be true isn't really true at all?

An unorthodox sociological approach to contemporary apocalyptic thought.

Vollmann is a relentlessly curious, endlessly sensitive, and unequivocally adventurous examiner of human existence. He has investigated the causes and symptoms of humanity's obsession with violence (Rising Up and Rising Down), taken a personal look into the hearts and minds of the world's poorest inhabitants (Poor People), and now turns his attentions to America itself, to our romanticizing of "freedom" and the ways in which we restrict the very freedoms we profess to admire. For Riding Toward Everywhere, Vollmann himself takes to the rails. His main accomplice is Steve, a captivating fellow trainhopper who expertly accompanies him through the secretive waters of this particular way of life. Vollmann describes the thrill and terror of lying in a trainyard in the dark, avoiding the flickering flashlights of the railroad bulls; the shockingly, gorgeously wild scenery of the American West as seen from a grainer platform; the complicated considerations involved in trying to hop on and off a moving train. It's a dangerous, thrilling, evocative examination of this underground lifestyle, and it is, without a doubt, one of Vollmann's most hauntingly beautiful narratives. Questioning anything and everything, subjecting both our national romance and our skepticism about hobo life to his finely tuned, analytical eye and the reality of what he actually sees, Vollmann carries on in the tradition of Huckleberry Finn, providing a moving portrait of this strikingly modern vision of the American dream.