It's the year 213 NE, New Era. During an event called the Big Reset, any record of human history has been erased. All religious books have been burned. Even the memory of God has been abolished. Wulf Gungnirsson, an orphan left under an ash tree, dreams of a career in the Europolis, the World City that holds seventy billion people captive. Because work disappoints him, he begins to question himself and his society. After he meets the love of his life, his radical thoughts lead to his conviction for wrongthink. Wulf and his Inga escape into exile. As they try to rebuild their lives in the wilderness, they discover that the world's governing body, the Council, has committed an unfathomable crime against humanity. Wulf vows to preach the Truth. He raises an army of outcasts to overthrow the city. To succeed, he must confront his past and find the father who abandoned him. This book contains strong themes of paganism, existential angst, and war. It criticizes urban society and promotes a return to primitive lifestyles.

A child of a dysfunctional household, the eleven-year-old, scraggy boy named Toine confronts a high school education system. Despite feeling shamed into silence, he continues to make a stand for dissident thought. Teachers, shocked, disapprove of their pupil's verbal revolt. The boy's apparent exclusion from civilian society makes him feel depressed. He develops thoughts of suicide. To save himself, he escapes in daydreams. He picks up a writing hobby and starts to blur the lines between dreams and reality. In his mind, the boy has convinced himself he is a military recruit living in a semi-detached bunker. When his general, Bonifacius, and nurse Gertrude take him to a psychologist, his world falls apart. Will Toine survive the school year? This novella is a critique of science education. It questions a society’s motive for enforcing political correctness.

This edition of the Old English poem 'The Wanderer' from the Exeter Book includes contextual introduction, notes and glossary.

Not One of Them in Place is the first book to examine the ways in which Jewish belief, thought, and culture have been shaped and articulated in modern American poetry. Based on the idea that recent American poetry has gravitated between two traditions—romantic and symbolist on the one hand, modernist and objectivist on the other—Norman Finkelstein provides a theoretical framework for reading the Jewish-American canon, as well as close readings of well known and less established poets, including Allen Ginsberg, Charles Reznikoff, Louis Zukofsky, Harvey Shapiro, Armand Schwerner, Hugh Seidman, and Michael Heller. Not One of Them in Place presents this poetry in a clear and nuanced style, paying equal attention to its historical and its aesthetic dimensions.

Modernity between Wagner and Nietzsche analyzes the operas and writings of Wagner in order to prove that the ideas on which they are based contradict and falsify the values that are fundamental to modernity. This book also analyzes the ideas that are central to the philosophy of Nietzsche, demonstrating that the values on the basis of which he breaks with Wagner and repudiates their common mentor, Schopenhauer, are those fundamental to modernity. Brayton Polka makes use of the critical distinction that Kierkegaard draws between Christianity and Christendom. Christianity represents what Nietzsche calls the faith that is presupposed in unconditionally willing the truth in saying yes to life. Christendom, in contrast, represents the bad faith of nihilism in saying no to life. Polka then shows that Wagner, in following Schopenhauer, represents Christendom with the demonstration in his operas that life is nothing but death and death is nothing but life. In other words, the purpose of the will for Wagner is to annihilate the will, since it is only in and through death that human beings are liberated from life as willfully sinful. Nietzsche, in contrast, is consistent with the biblical concept that existence is created from nothing, from nothing that is not made in the image of God, that any claim that the will can will not to will is contradictory and hence false. For not to will is, in truth, still to will nothing. There is then, Nietzsche shows, no escape from the will. Either human beings will the truth in saying yes to life as created from nothing, or in truly willing nothing, they say no to life in worshiping the God of Christendom who is dead.

For both continental and analytic styles of philosophy, the thought of Martin Heidegger must be counted as one of the most important influences in contemporary philosophy. In this book, essays by internationally noted scholars, ranging from David B. Allison to Slavoj Zizek, honour the interpretive contributions of William J. Richardson's pathbreaking Heidegger: Through Phenomenology to Thought. The essays move from traditional phenomenology to the idea of essential (another) thinking, the questions of translation and existential expressions of the turn of Heidegger's thought, the intersection of politics and language, the philosophic significance of Jacques Lacan, and several essays on science and technology. All show the influence of Richardson's first study. A valuable emphasis appears in Richardson's interpretation of Heidegger's conception of die Irre, interpreted as Errancy, set in its current locus in a discussion of Heidegger's debacle with the political in his involvement with National Socialism.