When the Great War ended in 1918, the West was broken. Religious faith, patriotism, and the belief in human progress had all been called into question by the mass carnage experienced by both sides. Shell shocked and traumatized, the West faced a world it no longer recognized: the old order had collapsed, replaced by an age of machines. The world hurtled forward on gears and crankshafts, and terrifying new ideologies arose from the wreckage of past belief. In Fracture, critically acclaimed historian Philipp Blom argues that in the aftermath of World War I, citizens of the West directed their energies inwards, launching into hedonistic, aesthetic, and intellectual adventures of self-discovery. It was a period of both bitter disillusionment and visionary progress. From Surrealism to Oswald Spengler's The Decline of the West; from Fritz Lang's Metropolis to theoretical physics, and from Art Deco to Jazz and the Charleston dance, artists, scientists, and philosophers grappled with the question of how to live and what to believe in a broken age. Morbid symptoms emerged simultaneously from the decay of World War I: progress and innovation were everywhere met with increasing racism and xenophobia. America closed its borders to European refugees and turned away from the desperate poverty caused by the Great Depression. On both sides of the Atlantic, disenchanted voters flocked to Communism and fascism, forming political parties based on violence and revenge that presaged the horror of a new World War. Vividly recreating this era of unparalleled ambition, artistry, and innovation, Blom captures the seismic shifts that defined the interwar period and continue to shape our world today.

From the critically-acclaimed author of The Vertigo Years comes a major new history of the interwar period, the few decades of peace that gave birth to the political and cultural movements that would define the twentieth century. When the Great War ended in 1918, the West was broken. Religious faith, patriotism, and the belief in human progress had all been called into question by the mass carnage experienced by both sides. Shell shocked and traumatized, the West faced a world it no longer recognized: the old order had collapsed, replaced by an age of machines. The world hurtled forward on gears and crankshafts, and terrifying new ideologies arose from the wreckage of past belief. In Fracture, critically acclaimed historian Philipp Blom argues that in the aftermath of World War I, citizens of the West directed their energies inwards, launching into hedonistic, aesthetic, and intellectual adventures of self-discovery. It was a period of both bitter disillusionment and visionary progress. From Surrealism to Oswald Spengler's The Decline of the West; from Fritz Lang's Metropolis to theoretical physics, and from Art Deco to Jazz and the Charleston dance, artists, scientists, and philosophers grappled with the question of how to live and what to believe in a broken age. Morbid symptoms emerged simultaneously from the decay of World War I: progress and innovation were everywhere met with increasing racism and xenophobia. America closed its borders to European refugees and turned away from the desperate poverty caused by the Great Depression. On both sides of the Atlantic, disenchanted voters flocked to Communism and fascism, forming political parties based on violence and revenge that presaged the horror of a new World War. Vividly recreating this era of unparalleled ambition, artistry, and innovation, Blom captures the seismic shifts that defined the interwar period and continue to shape our world today. From the Hardcover edition.

Examines how changes from the Industrial Revolution prior to World War I brought about radical transformation in society, changes in education, and massive migration in population that led to one of the bloodiest events in history.

Moving and inspired book ... An evocative and deeply affecting requiem for what might have been.' - Douglas Smith, author of Rasputin and Former People A World on Edge reveals Europe in 1918, left in ruins by World War I. But with the end of hostilities, a radical new start seems not only possible, but essential, even unavoidable. Unorthodox ideas light up the age like the comets that have recently passed overhead: new politics, new societies, new art and culture, new thinking. The struggle to determine the future has begun. The sculptor Käthe Kollwitz, whose son died in the war, was translating sorrow and loss into art. Ho Chi Minh was working as a dishwasher in Paris and dreaming of liberating Vietnam, his homeland. Captain Harry S. Truman was running a men’s haberdashery in Kansas City, hardly expecting that he was about to go bankrupt – and later become president of the United States. Professor Moina Michael was about to invent the 'remembrance poppy', a symbol of sacrifice that will stand for generations to come. Meanwhile Virginia Woolf had just published her first book and was questioning whether that sacrifice was worth it, while the artist George Grosz was so revolted by the violence on the streets of Berlin that he decides everything is meaningless. For rulers and revolutionaries, a world of power and privilege was dying – while for others, a dream of overthrowing democracy was being born. With novelistic virtuosity, historian Daniel Schönpflug describes this watershed year as it was experienced on the ground – open ended, unfathomable, its outcome unclear. Told from the vantage points of people, famous and ordinary, good and evil, who lived through the turmoil and combining a multitude of acutely observed details, Schönpflug composes a brilliantly conceived panorama of a world suspended between enthusiasm and disappointment, and of a moment in which the window of opportunity was suddenly open, only to quickly close shut once again.

Beyond Liminality: Ontologies of Abundant Betweenness examines the concept of liminality in the social sciences and humanities, and advocates for a more critical use of the concept while offering more precise alternatives. Originally conceived in response to the near-universal ritualization of changes of status (i.e., "rites of passage"), liminality was a welcome and much-needed correction to the reigning static and structural models of culture at the time. However, it soon escaped its initial realm and was enthusiastically—and mostly uncritically—absorbed by many if not all scholarly disciplines. The very success of the concept suggests that there is something about it that resonates with our own cultural sentiments. However, the assumptions that underlie diagnoses of liminality are seldom noted and even more seldom analyzed and critiqued. This book examines the history of the concept, its evolution, and its current status, and asks whether liminality accurately reflects lived realities which might better be described by fluidity, hybridity, multiplicity, constant motion and recombination, and abundant betweenness. Beyond Liminality: Ontologies of Abundant Betweenness is key reading for scholars and students across the social sciences and humanities interested in ritual, performance, identity formation, rights, ontology, and epistemology.

A prominent conductor explores how aesthetic criteria masked the political goals of countries during the three great wars of the past century"[Mauceri's] writing is more exhilarating than any helicopter ride we have been on."--Air Mail "Fluently written and often cogent."--Barton Swaim, Wall Street Journal This book offers a major reassessment of classical music in the twentieth century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War. Probing why so few works have been added to the canon since 1930, Mauceri examines the trajectories of great composers who, following World War I, created voices that were unique and versatile, but superficially simpler. He contends that the fate of composers during World War II is inextricably linked to the political goals of their respective governments, resulting in the silencing of experimental music in Germany, Italy, and Russia; the exodus of composers to America; and the sudden return of experimental music--what he calls "the institutional avant-garde"--as the lingua franca of classical music in the West during the Cold War.

This book traces the emergence and development of the relationship between management consultancies and the British state. It seeks to answer three questions: why were management consultants brought into the machinery of the state; how has state power been impacted by bringing profit-seeking actors into the machinery of the state; and how has the nature of management consultancy changed over time? The book demonstrates the role consultants played in major developments in the postwar period. Specific case studies interrogate how consultancies influenced the policy fields of health service reform and social security benefits. This book will redefine debates amongst business historians and historians of the postwar British state about the nature of management consultancy and public sector reform.