This reader will be useful to medievalists keen to improve their knowledge of Latin writers (and their Latin) as well as for courses in medieval Latin. Godfrey (classics, State U. of New York, Stonybrook) provides a paragraph of introduction for each writer considered and annotation to their Latin t

In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.

The multivolume series Mosaics of Time offers for the first time an in-depth analysis of the Roman Latin chronicle traditions from their beginnings in the first century BC to their end in the sixth century AD. For each chronicle it presents a comprehensive introduction, edition, translation, and historical and historiographical commentary. Chronicles seem to be everywhere in ancient and medieval history. Now for the first time, R. W. Burgess and Michael Kulikowski present a diachronic study of chronicles, annals, and consularia from the twenty-fifth century BC to the twelfth century AD, demonstrating the origins and interlinked traditions of the oldest and longest continuing genre of historical writing in the Western world. This introductory volume of Mosaics of Time provides both the detailed context for the study of the Latin chronicle traditions that occupies the remaining three volumes of this series as well as a general study of chronicles across three millennia from the ancient Egyptian Palermo Stone to the medieval European chronicle of Sigebert of Gembloux and beyond. The work is an essential companion to ancient and medieval history, historiography, and literary studies.

To help place the selections within their wider historical, social, and political contexts, Pucci has written extensive introductory essays for each of the new edition's five parts. Headnotes to individual selections have been recast as interpretive essays, and the original bibliographic paragraphs have been expanded. Reprinted from the best modern editions, the selections have been extensively glossed with grammatical notes geared toward students of classical Latin who may be reading medieval Latin for the first time.

This Medieval Latin reader is aimed at intermediate undergraduate/advanced high school Latin students. The texts included in this collection cover religious biography (excerpts from Jerome's Life of Hilarion), tall-tales (Asinarius and Rapularius), heroic journey (Alexander the Great Meets Thalestris, Queen of the Amazons and Letaldus of Micy's The Fisherman Swallowed by a Whale), fables (Odo of Cheriton) and jokes (Poggio Bracciolini). Introductions to each text, as well as assistance with vocabulary, grammar, and syntax are provided.

A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.