The true history of a legendary American folk hero In the 1820s, a fellow named Sam Patch grew up in Pawtucket, Rhode Island, working there (when he wasn't drinking) as a mill hand for one of America's new textile companies. Sam made a name for himself one day by jumping seventy feet into the tumultuous waters below Pawtucket Falls. When in 1827 he repeated the stunt in Paterson, New Jersey, another mill town, an even larger audience gathered to cheer on the daredevil they would call the "Jersey Jumper." Inevitably, he went to Niagara Falls, where in 1829 he jumped not once but twice in front of thousands who had paid for a good view. The distinguished social historian Paul E. Johnson gives this deceptively simple story all its deserved richness, revealing in its characters and social settings a virtual microcosm of Jacksonian America. He also relates the real jumper to the mythic Sam Patch who turned up as a daring moral hero in the works of Hawthorne and Melville, in London plays and pantomimes, and in the spotlight with Davy Crockett—a Sam Patch who became the namesake of Andrew Jackson's favorite horse. In his shrewd and powerful analysis, Johnson casts new light on aspects of American society that we may have overlooked or underestimated. This is innovative American history at its best.

A quarter-century after its first publication, A Shopkeeper's Millennium remains a landmark work--brilliant both as a new interpretation of the intimate connections among politics, economy, and religion during the Second Great Awakening, and as a surprising portrait of a rapidly growing frontier city. The religious revival that transformed America in the 1820s, making it the most militantly Protestant nation on earth and spawning reform movements dedicated to temperance and to the abolition of slavery, had an especially powerful effect in Rochester, New York. Paul E. Johnson explores the reasons for the revival's spectacular success there, suggesting important links between its moral accounting and the city's new industrial world. In a new preface, he reassesses his evidence and his conclusions in this major work.

Written by distinguished historians with the force of a novel, this book reconstructs the web of religious ecstacy, greed, and seduction within the cult of the Prophet Matthias in New York in 1834 and captures the heated atmosphere of the religious revival known as the Second Great Awakening. Illustrations.

Find a pool of cheap, pliable workers and give them jobs—and soon they cease to be as cheap or as pliable. What is an employer to do then? Why, find another poor community desperate for work. This route—one taken time and again by major American manufacturers—is vividly chronicled in this fascinating account of RCA's half century-long search for desirable sources of labor. Capital Moves introduces us to the people most affected by the migration of industry and, most importantly, recounts how they came to fight against the idea that they were simply "cheap labor." Jefferson Cowie tells the dramatic story of four communities, each irrevocably transformed by the opening of an industrial plant. From the manufacturer's first factory in Camden, New Jersey, where it employed large numbers of southern and eastern European immigrants, RCA moved to rural Indiana in 1940, hiring Americans of Scotch-Irish descent for its plant in Bloomington. Then, in the volatile 1960s, the company relocated to Memphis where African Americans made up the core of the labor pool. Finally, the company landed in northern Mexico in the 1970s—a region rapidly becoming one of the most industrialized on the continent.

THE WONDERFUL LEAPS OF SAM PATCH was originally published circa 1875 by McLoughlin Brothers, New York, New York.

Caitlin Rosenthal explores quantitative management practices on West Indian and Southern plantations, showing how planter-capitalists built sophisticated organizations and used complex accounting tools. By demonstrating that business innovation can be a byproduct of bondage Rosenthal further erodes the false boundary between capitalism and slavery.

In the tradition of Melissa Faye Greene and her award-winning Praying for Sheetrock, extraordinarily talented debut author Laura Wexler tells the story of the Moore's Ford Lynching in Walton County, Georgia in 1946—the last mass lynching in America, fully explored here for the first time. July 25, 1946. In Walton County, Georgia, a mob of white men commit one of the most heinous racial crimes in America's history: the shotgun murder of four black sharecroppers—two men and two women—at Moore's Ford Bridge. Fire in a Canebrake, the term locals used to describe the sound of the fatal gunshots, is the story of our nation's last mass lynching on record. More than a half century later, the lynchers' identities still remain unknown. Drawing from interviews, archival sources, and uncensored FBI reports, acclaimed journalist and author Laura Wexler takes readers deep into the heart of Walton County, bringing to life the characters who inhabited that infamous landscape—from sheriffs to white supremacists to the victims themselves—including a white man who claims to have been a secret witness to the crime. By turns a powerful historical document, a murder mystery, and a cautionary tale, Fire in a Canebrake ignites a powerful contemplation on race, humanity, history, and the epic struggle for truth.