"On the eve of the Malian king's announcement of a plan to help all in the nation prosper, his cunning brother commits an unspeakable act. With the Royal House Of Mansa in turmoil, Musa, the young heir to Africa's richest and most powerful dynasty, is forced to flee his home in fear for his life. What he finds beyond Mali's borders is a world that doesn't know and doesn't care that he was once part of a great country's wealthy and well-traveled elite. Stripped of all he holds dear including his identity, Musa seeks safe harbor amid a throng of equally imperiled migrants, vulnerable to smugglers, cons, and indifferent government organizations. To survive, he must reinvent himself, but at what cost to his sense of self?" --Publisher's description.

The Last of the African Kings follows the wayward fortunes of a noble African family. It begins with the regal Béhanzin, an African king who opposed French colonialism and was exiled to distant Martinique. In the course of this brilliant novel, Maryse Condé tells of Béhanzin’s scattered offspring and their lives in the Caribbean and the United States. A book made up of many characters and countless stories, The Last of the African Kings skillfully intertwines the themes of exile, lost origins, memory, and hope. It is set mainly in the Americas, from the Caribbean to modern-day South Carolina, yet Africa hovers always in the background.

The Last of the African Kings follows the wayward fortunes of a noble African family. It begins with the regal Béhanzin, an African king who opposed French colonialism and was exiled to distant Martinique. In the course of this brilliant novel, Maryse Condé tells of Béhanzin's scattered offspring and their lives in the Caribbean and the United States. A book made up of many characters and countless stories, The Last of the African Kings skillfully intertwines the themes of exile, lost origins, memory, and hope. It is set mainly in the Americas, from the Caribbean to modern-day South Carolina, yet Africa hovers always in the background.

A gripping novel set during Mussolini’s 1935 invasion of Ethiopia, The Shadow King takes us back to the first real conflict of World War II, casting light on the women soldiers who were left out of the historical record. With the threat of Mussolini’s army looming, recently orphaned Hirut struggles to adapt to her new life as a maid in Kidane and his wife Aster’s household. Kidane, an officer in Emperor Haile Selassie’s army, rushes to mobilize his strongest men before the Italians invade. His initial kindness to Hirut shifts into a flinty cruelty when she resists his advances, and Hirut finds herself tumbling into a new world of thefts and violations, of betrayals and overwhelming rage. Meanwhile, Mussolini’s technologically advanced army prepares for an easy victory. Hundreds of thousands of Italians—Jewish photographer Ettore among them—march on Ethiopia seeking adventure. As the war begins in earnest, Hirut, Aster, and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms against the Italians. But how could she have predicted her own personal war as a prisoner of one of Italy’s most vicious officers, who will force her to pose before Ettore’s camera? What follows is a gorgeously crafted and unputdownable exploration of female power, with Hirut as the fierce, original, and brilliant voice at its heart. In incandescent, lyrical prose, Maaza Mengiste breathes life into complicated characters on both sides of the battle line, shaping a heartrending, indelible exploration of what it means to be a woman at war.

Lesotho is a resource-poor mountainous country that has relied heavily upon South Africa for many years. As the 21st century gets under way the country has fewer economic possibilities and its larger neighbour has less to offer. This text analyzes the changes taking place.

The adventures and attitudes shared by the American writers dubbed "The Lost Generation" are brought to life here by one of the group's most notable members. Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Crowley, and many other writers "escaped" to Europe, some forever, some as temporary exiles. As Cowley details in this intimate, anecdotal portrait, in renouncing traditional life and literature, they expanded the boundaries of art.