The Ballet Called Giselle
Title The Ballet Called Giselle PDF eBook
Author Cyril W. Beaumont
Publisher Dance Books Limited
Pages 190
Release 2011-10
Genre Ballet
ISBN 9781852731526

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First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle. The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, including a synopsis and accounts of the settings, costumes and creators of the original roles. Part II describes the stage action - the steps, gestures and the meanings they express - and analyses the interpretation of the roles. The book concludes with a survey of dancers who won fame for their performances as Giselle and as Albrecht.



The Ballet Called Giselle
Title The Ballet Called Giselle PDF eBook
Author Cyril William Beaumont
Publisher
Pages 200
Release 1988
Genre Music
ISBN

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The Ballet Called Giselle
Title The Ballet Called Giselle PDF eBook
Author Cyril W (Cyril William) 1 Beaumont
Publisher Hassell Street Press
Pages 200
Release 2021-09-09
Genre
ISBN 9781013454035

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.



Ballet and Opera in the Age of Giselle
Title Ballet and Opera in the Age of Giselle PDF eBook
Author Marian Smith
Publisher Princeton University Press
Pages 329
Release 2010-08-29
Genre Music
ISBN 0691146497

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Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle. ?



American–Soviet Cultural Diplomacy
Title American–Soviet Cultural Diplomacy PDF eBook
Author Cadra Peterson McDaniel
Publisher Lexington Books
Pages 308
Release 2014-11-18
Genre History
ISBN 0739199315

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This book is the first full-length examination of a Soviet cultural diplomatic effort. In her work, McDaniel focuses on the key role that the Soviets assigned to the arts in transforming societies and demonstrates that the Soviets conceived of the arts as a kind of "artful warfare"; a valuable weapon in winning the Cold War.



Ballet 101
Title Ballet 101 PDF eBook
Author Robert Greskovic
Publisher Hal Leonard Corporation
Pages 660
Release 2005
Genre Performing Arts
ISBN 9780879103255

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Presents a look at the world of dance; an analysis of ballet movement, music, and history; a close-up look at popular ballets; and a host of performance tips.



Dancing Women
Title Dancing Women PDF eBook
Author Sally Banes
Publisher Routledge
Pages 298
Release 2013-11-05
Genre Performing Arts
ISBN 1134833172

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Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.