The Feminist Porn Book celebrates the power of desire, turning the spotlight on an industry where feminism is thriving.

From lesbians writing gay male sex to straight chicks writing as horny men, this collection turns stereotypes on their heads. From the most subtle erotic gesture to the most extreme expressions of forbidden rage, the authors spill their inner sluts: butt zits, saggy tits, wiry nipple hair, jellyroll bellies, knife fetishes, and all. Taste the blood and the bliss.

This collection of essays seeks to expand the parameters of the debate on pornography. In an effort to move away from the divisive frameworks of which side are you on? and who counts as women worthy to be listened to? in feminist debates on pornography, this volume seeks to understand what pornography means to those who consume it, fight against it, work within it, and to those engaged in changing its meaning. By opening up a space for divergent points of view to address the complexityof sexual material, this volume seeks to forge solidarity amongst a diverse array of constituencies, including academics, activists, and sex workers from diverse socio-political contexts. Through seeking to address the relationship between imperialism, the exotic, and the pornographic, the collection moves away from Eurocentric perspectives on pornography, by including the perspectives of women involved in struggles for national liberation in the South. This volume explores a wide range of issues, such as, how the meaning of pornography is shaped by changing historical and political realities; the role law should play, if any, in the sex industry; whether union organizing can change the working conditions in the sex industry; kinds of representational politics available for redefining pornography; and how sexually explicity literature, videos, art, and music can serve the purpose of sexual freedom. Contributors to the volume include Diana Russell, Catharine MacKinnon, Andrea Dworkin, Wendy Brown, Becki Ross, Mallek Alloula, M. Jacqui Alexander, Victoria Ortiz, bell hooks, Rey Chow, Judith Butler, Candida Royalle, Zoraida Ramirez Rodriguez, amongst others.

During the sex wars of the 1980s, sex-positive feminism entered the adult film industry with a performer support group known as Club 90. Over the next three decades feminism found a home among an influential group of women in pornography. Pornography Feminism: As Powerful as She Wants to Be is a popular history of this unfolding saga told largely through personal interviews along with scholarly works, previous popular histories, and film reviews.

Wat is “feministische pornografie”? De redacteuren van dit boek formuleren het als volgt: seksueel expliciet beeldmateriaal gebruiken om enerzijds de dominante representaties van gender, seksualiteit, ras, etniciteit, sociale klasse, leeftijd, lichaam en andere identiteitskenmerken te bestrijden, en anderzijds het juist “complexer” maken van deze voorstellingen. Met andere woorden: het is een overhoophalen van de conventionele definities van seks ; het kent zijn eigen esthetiek en is gericht op de vrouwelijke kijker. Er bestaat in de Verenigde Staten reeds veertig jaar een zogenaamde feministische pornobeweging. Dit boek wil het verschijnsel en de betekenis van deze beweging ontdekken en onderzoeken. Daarnaast presenteert het feministische studies omtrent pornografie. Het bevat bijdragen van academici, van makers van pornografie en van activisten. Zij zijn van mening dat anti-pornofeministen in hun kritieken op het genre té veel veralgemenen en de (negatieve) effecten ervan overdrijven. Wordt er inderdaad te snel geoordeeld?

From Donald Trump’s use of Twitter, to social media mourning, to cyber-bullying: the evidence of media influence today is all around us. As such, good media research is more important than ever, and crucially, is something all students can and should do. Exploring Media Research is an eye-opening exploration of what it means to understand and do media research today. Carefully balancing theory and practice, Andy Ruddock demystifies the process, showing you don’t need huge amounts of time or money to do meaningful media analysis. The book: Introduces students to the scope and seriousness of media influence Shows them how to tie their own interests to academic concepts and research issues Explains how to use this understanding to develop proper research questions Translates key theoretical concepts into actual research methods students can use to explore the media texts, events, markets and professionals that interest them. Bringing theory to life throughout with a range of contemporary case studies, Exploring Media Research is a thoughtful and practical guide to gathering and analysing media data. It is essential reading for students of media, communication and cultural studies.

This is a concise and accessible introduction into the concept of objectification, one of the most frequently recurring terms in both academic and media debates on the gendered politics of contemporary culture, and core to critiquing the social positions of sex and sexism. Objectification is an issue of media representation and everyday experiences alike. Central to theories of film spectatorship, beauty fashion and sex, objectification is connected to the harassment and discrimination of women, to the sexualization of culture and the pressing presence of body norms within media. This concise guidebook traces the history of the term’s emergence and its use in a variety of contexts such as debates about sexualization and the male gaze, and its mobilization in connection with the body, selfies and pornography, as well as in feminist activism. It will be an essential introduction for undergraduate and postgraduate students in Gender Studies, Media Studies, Sociology, Cultural Studies or Visual Arts.