Sam and his father are full of excitement as they join the colonists setting out from King's Lynn to the new colony of Jamestown in the New World. Along with the other colonists on the Treasurer, Sam has to survive poor rations, seasickness and perilous storms. But one night, disobeying captain's orders, he catches sight of a sinister-looking seaman crouching over his father's sleeping form. Next day, his father discovers that that his bag of sovereigns has gone. But when they make a formal complaint to the captain, who is to be believed - a young boy like Sam, or the seaman Flint? Stewart Lees' story and realistic artwork perfectly capture the atmosphere of life on a 17th- century colonists' voyage and will enthral young readers interested in the past.

When the Nazis invaded Poland, a family is split apart. The parents are sent to one concentration camp, their son to another. Only his father's gift, a harmonica, keeps the boy's hopes alive and, miraculously, ensures his survival. Tony Johnston's powerful story, inspired by the life of a Holocaust survivor, is enhanced by Ron Mazellan's luminous artwork. A testament to the human spirit and the transcendent power of music.

Following on from The Beast and the Sovereign, Volume I, this book extends Jacques Derrida’s exploration of the connections between animality and sovereignty. In this second year of the seminar, originally presented in 2002–2003 as the last course he would give before his death, Derrida focuses on two markedly different texts: Heidegger’s 1929–1930 course The Fundamental Concepts of Metaphysics, and Daniel Defoe’s Robinson Crusoe. As he moves back and forth between the two works, Derrida pursuesthe relations between solitude, insularity, world, violence, boredom and death as they supposedly affect humans and animals in different ways. Hitherto unnoticed or underappreciated aspects of Robinson Crusoe are brought out in strikingly original readings of questions such as Crusoe’s belief in ghosts, his learning to pray, his parrot Poll, and his reinvention of the wheel. Crusoe’s terror of being buried alive or swallowed alive by beasts or cannibals gives rise to a rich and provocative reflection on death, burial, and cremation, in part provoked by a meditation on the death of Derrida’s friend Maurice Blanchot. Throughout, these readings are juxtaposed with interpretations of Heidegger's concepts of world and finitude to produce a distinctively Derridean account that will continue to surprise his readers.

Awarded the CWA Diamond Dagger – the highest honor in British crime writing The third Matthew Shardlake Tudor Mystery by C. J. Sansom, the bestselling author of Winter in Madrid and Dominion C. J . Sansom has garnered a wider audience and increased critical praise with each new novel published. His first book in the Matthew Shardlake series, Dissolution, was selected by P. D. James in The Wall Street Journal as one of her top five all-time favorite books. Now in Sovereign, Shardlake faces the most terrifying threat in the age of Tudor England: imprisonment int he Tower of London. Shardlake and his loyal assistant, Jack Barak, find themselves embroiled in royal intrigue when a plot against King Henry VIII is uncovered in York and a dangerous conspirator they've been charged with transporting to London is connected to the death of a local glazer.

He was the lofty Regal, cold and heartless, yet he doted on her to the bone. She was a God of Cookery, able to deceive people, kill strong people, go to the hall, go to the kitchen, outstanding to the point of perfection. Yet, her little mouth never stopped eating. Murong Mo: What if my little sister who is a glutton gets taken away by snacks? Online, urgent. Qian Ye Mu Yu: What do I do if I want to let this gluttonous woman eat me? Same as online.