“Highly readable . . . a fitting tribute to the quiet outsider who taught the professionals their business and increased our knowledge of the human past.”—Archaeology Odyssey More than a century ago, in 1900, one of the great archaeological finds of all time was made in Crete. Arthur Evans discovered what he believed was the palace of King Minos, with its notorious labyrinth, home of the Minotaur. As a result, Evans became obsessed with one of the epic intellectual stories of the modern era: the search for the meaning of Linear B, the mysterious script found on clay tablets in the ruined palace. Evans died without achieving his objective, and it was left to the enigmatic Michael Ventris to crack the code in 1952. This is the first book to tell not just the story of Linear B but also that of the young man who deciphered it. Based on hundreds of unpublished letters, interviews with survivors, and other primary sources, Andrew Robinson’s riveting account takes the reader through the life of this intriguing and contradictory man. Stage by stage, we see how Ventris finally achieved the breakthrough that revealed Linear B as the earliest comprehensible European writing system.

The story of Michael Ventris and his decipherment of the Mycenaean Linear B script.

In the tradition of Simon Winchester and Dava Sobel, The Riddle of the Labyrinth: The Quest to Crack an Ancient Code tells one of the most intriguing stories in the history of language, masterfully blending history, linguistics, and cryptology with an elegantly wrought narrative. When famed archaeologist Arthur Evans unearthed the ruins of a sophisticated Bronze Age civilization that flowered on Crete 1,000 years before Greece’s Classical Age, he discovered a cache of ancient tablets, Europe’s earliest written records. For half a century, the meaning of the inscriptions, and even the language in which they were written, would remain a mystery. Award-winning New York Times journalist Margalit Fox's riveting real-life intellectual detective story travels from the Bronze Age Aegean—the era of Odysseus, Agamemnon, and Helen—to the turn of the 20th century and the work of charismatic English archeologist Arthur Evans, to the colorful personal stories of the decipherers. These include Michael Ventris, the brilliant amateur who deciphered the script but met with a sudden, mysterious death that may have been a direct consequence of the deipherment; and Alice Kober, the unsung heroine of the story whose painstaking work allowed Ventris to crack the code.

No one has given the polymath Thomas Young (1773–1829) the all-round examination he so richly deserves—until now. Celebrated biographer Andrew Robinson portrays a man who solved mystery after mystery in the face of ridicule and rejection, and never sought fame. As a physicist, Young challenged the theories of Isaac Newton and proved that light is a wave. As a physician, he showed how the eye focuses and proposed the three-colour theory of vision, only confirmed a century and a half later. As an Egyptologist, he made crucial contributions to deciphering the Rosetta Stone. It is hard to grasp how much Young knew. This biography is the fascinating story of a driven yet modest hero who cared less about what others thought of him than for the joys of an unbridled pursuit of knowledge—with a new foreword by Martin Rees and a new postscript discussing polymathy in the two centuries since the time of Young. It returns this neglected genius to his proper position in the pantheon of great scientific thinkers.

Unlike previous Tagore collections that focus on a single genre, Dutta and Robinson's anthology offers a full range of Tagore's talents--a play, poems, songs, a novel, selections from his memoirs, travel writings, and essays--in one graceful volume.

The highly admired scientist Linus Pauling, a double Nobel laureate in chemistry and peace, was once asked by a student. 'Dr Pauling, how do you have so many good ideas?' Pauling thought for a moment and replied: 'Well, David, I have a lot of ideas and throw away the bad ones.' Where do ideas come from? Why do some people have many more of them than others? How do you distinguish the good ideas from the bad? Most intriguing of all, perhaps, why do the best ideas sometimes strike in a flash of 'sudden genius'? These questions are the subject of this book. Andrew Robinson explores the exceptional creativity in both scientists and artists by following the trail that led ten individuals from childhood to the achievement of a famous creative breakthrough as an adult, in archaeology, architecture, art, biology, chemistry, cinema, music, literature, photography, and physics. Broken into three parts, the book begins with the scientific study of creativity, covering talent, genius, intelligence, memory, dreams, the unconscious, savant syndrome, synaesthesia, and mental illness. The second part tells the stories of five breakthroughs by scientists and five by artists, ranging from Curie's discovery of radium and Einstein's theory of special relativity to Mozart's composing of The Marriage of Figaro and Virginia Woolf's writing of Mrs Dalloway. Robinson concludes by considering what highly creative people who achieve breakthroughs have in common; whether breakthroughs in science and art follow patterns; and whether they always involve imaginative leaps and even 'genius'.

"Starting with the origins of writing five thousand years ago, with cuneiform and Egyptian hieroglyphs, Andrew Robinson explains how these early forms of writing developed into hundreds of scripts including the Roman alphabet and the Chinese characters. He reveals how the modern writing system we take for granted - including airport signage and electronic text messaging - resemble ancient scripts much more closely than we think." --Book Jacket.