In a searing takedown of the populist authoritarian vision of America, The Terror of the Unforeseen tackles the resurgence of fascism in the age of Donald Trump's presidency. Through the mendacious exchange of facts for "fake news," Henry A. Giroux examines the language of hatred that activates neoliberal fascism, complete with state-sanctioned racism, casino capitalism, and fear-mongering at federal and local levels. In this "age of disposability," Trump's rhetoric eschews reason and democratic principles in favor of impetuous politics rooted in bigotry, all to injuriously catastrophic effect. Through protests, strikes, and education, Giroux proposes an international social movement that joins together various modes of resistance to illuminate a democratic renewal, and proves himself once again as one of the great public intellectuals of our time.

How is it that, in doing our very best to achieve one thing, we can end up achieving just the opposite? There exists an unseen force with an unassuming name that conceals all manner of terrors. It is ‘Unintended Consequences’, and it takes our efforts to do the good and right thing, turns them to ashes and blows them back in our faces. Whether it be governments fighting a “War on Terror” only to bring their economies crashing about their ears, ecologists attempting to stamp out pests but making things ten times worse in the process, or giving people lots of choice only for them to make worse decisions, it is all too easy to start out with the best of intentions, only to end up doing more harm than good. In Unintended Consequences, Clive Wills discusses national disasters, Prohibition and the War on Drugs, frustrated efforts to improve health and safety, and touches on issues of everyday life such as how to improve relationships and bring up children. As HL Mencken reflected, “For every complex problem, there is a solution that is simple, neat, and wrong”. This book examines the many ways in which those apparently simple solutions can turn around and bite us, and more importantly, just what we can do about it.

Philip Roth's bestselling alternate history—the chilling story of what happens to one family when America elects a charismatic, isolationist president—is soon to be an HBO limited series. In an extraordinary feat of narrative invention, Philip Roth imagines an alternate history where Franklin D. Roosevelt loses the 1940 presidential election to heroic aviator and rabid isolationist Charles A. Lindbergh. Shortly thereafter, Lindbergh negotiates a cordial “understanding” with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism. For one boy growing up in Newark, Lindbergh’s election is the first in a series of ruptures that threaten to destroy his small, safe corner of America–and with it, his mother, his father, and his older brother. "A terrific political novel . . . Sinister, vivid, dreamlike . . . creepily plausible. . . You turn the pages, astonished and frightened.” — The New York Times Book Review

The "masterfully chilling" novel that inspired the hit AMC series (Entertainment Weekly). The men on board the HMS Terror — part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage — are entering a second summer in the Arctic Circle without a thaw, stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, they struggle to survive with poisonous rations, a dwindling coal supply, and ships buckling in the grip of crushing ice. But their real enemy is even more terrifying. There is something out there in the frigid darkness: an unseen predator stalking their ship, a monstrous terror clawing to get in. “The best and most unusual historical novel I have read in years.” —Katherine A. Powers, Boston Globe

Jessie Mercer has it all—fame, fortune, and a best-selling novel being made into a major motion picture starring the alluring Taylor Andrews. When disturbing, real-life events begin mimicking the movie's plot, Jessie and Taylor find themselves drawn into a unforeseen web of passion, treachery, and deception that uncovers secrets and betrayals of a distant past. As the terror mounts, Jessie realizes she is the target and must go back—all the way back to Salem, where answers to the mystery unfold—before the evil from the past destroys both of them. Originally published by Alice Street Editions of Haworth Press 2001.

The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.

Upending conventional scholarship on Milton and modernity, Lee Morrissey recasts Paradise Lost, Paradise Regained, and Samson Agonistes as narrating three alternative responses to a world in upheaval: adjustment, avoidance and antagonism. Through incisive engagement with narrative, form, and genre, Morrissey shows how each work, considered specifically as a fiction, grapples with the vicissitudes of a modern world characterised more by paradoxes, ambiguities, subversions and shifting temporalities than by any rigid historical periodization. The interpretations made possible by this book are as invaluable as they are counterintuitive, opening new definitions and stimulating avenues of research for Milton students and specialists, as well as for those working in the broader field of early modern studies. Morrissey invites us to rethink where Milton stands in relation to the greatest products of modernity, and in particular to that most modern of genres, the novel.