Examines how changes from the Industrial Revolution prior to World War I brought about radical transformation in society, changes in education, and massive migration in population that led to one of the bloodiest events in history.

The most breathtaking work of history since Paris 1919. Europe, early in the 20th century: a world adrift, a pulsating era of creativity and contradictions. The hot topics of the day — terrorism and globalization, immigration, consumerism, the lack of moral values, and rivaling superpowers — could make one forget that it is a century ago that this era vanished into the trenches of the Somme and Vimy Ridge. Or did it? The closer one looks, the more this world seems like ours, the more one sees that the questions and realities shaping our lives and thoughts were formulated and laid down at the beginning of the 20th century: feminism, democratization, mass communication, commercial branding, consumerism, state-sponsored genocide, and psychoanalysis were all concepts birthed in this period. This was a time radically unlike the Victorian era that preceded it, a time in which all the old certainties broke down. Philipp Blom succeeds in bringing to life the immediacy of the lives and issues of this fascinating, flawed pre-war period. Through a series of historical vignettes, each chapter focusing on one particularly telling event for every year from 1900 to 1914, The Vertigo Years discovers the great people, powers, and ideas of Europe after 1900. The approach is eclectic, brilliantly combining the novelist’s eye with the craft of the historian. It opens up this era in all its contradictions and similarities to our own.

Examines how changes from the Industrial Revolution prior to World War I brought about radical transformation in society, changes in education, and massive migration in population that led to one of the bloodiest events in history.

When the Great War ended in 1918, the West was broken. Religious faith, patriotism, and the belief in human progress had all been called into question by the mass carnage experienced by both sides. Shell shocked and traumatized, the West faced a world it no longer recognized: the old order had collapsed, replaced by an age of machines. The world hurtled forward on gears and crankshafts, and terrifying new ideologies arose from the wreckage of past belief. In Fracture, critically acclaimed historian Philipp Blom argues that in the aftermath of World War I, citizens of the West directed their energies inwards, launching into hedonistic, aesthetic, and intellectual adventures of self-discovery. It was a period of both bitter disillusionment and visionary progress. From Surrealism to Oswald Spengler's The Decline of the West; from Fritz Lang's Metropolis to theoretical physics, and from Art Deco to Jazz and the Charleston dance, artists, scientists, and philosophers grappled with the question of how to live and what to believe in a broken age. Morbid symptoms emerged simultaneously from the decay of World War I: progress and innovation were everywhere met with increasing racism and xenophobia. America closed its borders to European refugees and turned away from the desperate poverty caused by the Great Depression. On both sides of the Atlantic, disenchanted voters flocked to Communism and fascism, forming political parties based on violence and revenge that presaged the horror of a new World War. Vividly recreating this era of unparalleled ambition, artistry, and innovation, Blom captures the seismic shifts that defined the interwar period and continue to shape our world today.

"This wide-ranging and hugely ambitious book offers, for the first time ever, an integrated history of the culture produced and consumed by Europeans since 1800, and follows its transformation from an elite activity to a mass market - from lending libraries to the internet, from the first public concerts to music downloads."--BOOK JACKET.