A publisher's dummy used for subscription sales of Washington's autobiography. Selected pages of the text and 37 illustrated plates are included. The front and back cover represent two of the three available bindings for the edition; the spine for the third option is pasted to the inside back cover.

In 1974 Charles W. Colson pleaded guilty to Watergate-related offenses and, after a tumultuous investigation, served seven months in prison. In his search for meaning and purpose in the face of the Watergate scandal, Colson penned Born Again. This unforgettable memoir shows a man who, seeking fulfillment in success and power, found it, paradoxically, in national disgrace and prison. In more than three decades since its initial publication, Born Again has brought hope and encouragement to millions. This remarkable story of new life continues to influence lives around the world. This expanded edition includes a brand-new introduction and a new epilogue by Colson, recounting the writing of his bestselling book and detailing some of the ways his background and ministry have brought hope and encouragement to so many.

Booker T. Washington has long held an ambiguous position in the pantheon of black leadership. Lauded by some in his own lifetime as a black George Washington, he was also derided by others as a Benedict Arnold. In The Education of Booker T. Washington, Michael West offers a major reinterpretation of one of the most complex and controversial figures in American history. West reveals the personal and political dimensions of Washington's journey "up from slavery." He explains why Washington's ideas resonated so strongly in the post-Reconstruction era and considers their often negative influence in the continuing struggle for equality in the United States. West's work also establishes a groundwork for understanding the ideological origins of the civil rights movement and discusses Washington's views on the fate of race and nation in light of those of Thomas Jefferson, Frederick Douglass, Martin Luther King Jr., and others. West argues that Washington's analysis was seen as offering a "solution" to the problem of racial oppression in a nation professing its belief in democracy. That solution was the idea of "race relations." In practice, this theory buttressed segregation by supposing that African Americans could prosper within Jim Crow's walls and without the normal levers by which other Americans pursued their interests. Washington did not, West contends, imagine a way to perfect democracy and an end to the segregationist policies of southern states. Instead, he offered an ideology that would obscure the injustices of segregation and preserve some measure of racial peace. White Americans, by embracing Washington's views, could comfortably find a way out of the moral and political contradictions raised by the existence of segregation in a supposedly democratic society. This was (and is) Washington's legacy: a form of analysis, at once obvious and concealed, that continues to prohibit the realization of a truly democratic politics.

In the first major literary biography of L. Frank Baum, Rebecca Loncraine tells the story of Oz as you've never heard it, with a look behind the curtain at the vivid life and eccentric imagination of its creator. L. Frank Baum wrote The Wonderful Wizard of Oz in 1899 and it was first published in 1900. A runaway hit, it was soon recognized as America's first modern fairy tale. Baum's life story, like the fictional world he created, is uniquely American, rooted in the transforming historical changes of his times. Baum was a complex and eccentric man who could never stay put for long; his restless creative spirit and voracious appetite for new projects led him across the U.S. during his lifetime, and he drew energy and inspiration from each new dramatic landscape he encountered,. Born in 1856, Baum spent his youth in the Finger Lakes region of New York as amputee soldiers returned from the Civil War; childhood mortality was also commonplace, blurring the lines between the living and the dead, and making room in Baum's young imagination for vividly real ghosts. When Baum was growing up, P. T. Barnum ruled the minds of small towns and his traveling circus was the most famous act around. Baum married a headstrong young woman named Maud Gage and they ventured out west to Dakota Territory, where they faced violent tornadoes, Ghost Dancing tribes and desperate droughts, before trading the hardships on the Great Plains for the excitement of Chicago and the fantastical White City of the World's Fair. Baum's writing tapped into an inner world that blurred his own sense of reality and fantasy. The Land of Oz, which Baum believed he had "discovered" rather than invented, grew into something far bigger and more popular than he'd ever imagined. After the roaring success of The Wonderful Wizard of Oz in 1900, he became a kind of slave to his creation, trapped inside Oz as his army of demanding child fans kept sending him back there to create new adventures for Dorothy, Toto and the humbug wizard. He went on to write thirteen sequels to his first Oz book. He also wrote the first Broadway adaptations of his Oz tales, and turned his Oz books into some of the first motion pictures in a small and undiscovered rural settlement called "Hollywood". Baum co-founded the Oz Film Manufacturing Company, even as critics warned that no one would pay to see a children's story. And they were right- his early ventures were box office flops and the world was not ready for Oz on screen until 1939, when MGM released "The Wizard of Oz" in brilliant Technicolor. Baum was not around to see it-he'd died in bed in 1919 just weeks after completing his final Oz book. But the book and film alike have become classics, just as well-loved today as they were when they first appeared. The Real Wizard of Oz is an imaginatively written work that stretches the genre of biography and enriches our understanding of modern fairytales. L. Frank Baum, author of The Wonderful Wizard of Oz and its thirteen sequels, lived during eventful times in American history-- from 1856 to 1919-- that influenced nearly every aspect of his writing, from the Civil War to Hollywood, which was emerging as a modern Emerald City full of broken dreams and humbug wizards, to the gulf between America's prairie heartland, with its wild tornadoes, and its cities teeming with "Tin Man" factory workers. This is a colorful portrait of one man's vivid and eccentric imagination and the world that shaped it. Baum's famous fairytale is filled with the pain of the economic uncertainties of the Gilded Age and with a yearning for real change, ideas which many contemporary Americans will recognize. The Wizard of Oz continues to fascinate and influence us because it explores universal themes of longing for a better world, homesickness and finding inner strength amid the storms.

Inspired by the centenary of the publication of Washington's autobiography, Up From Slavery, this collection of essays reinterprets Washington's career and self-presentation. As the most visible and widely acclaimed black leader of his era, Washington played a pivotal role in advocating a strategy for the racial uplift of African Americans in an age of intensifying racism and discrimination. This collection insists that in order to understand the era of Jim Crow, we must come to terms with Washington and his autobiography. It uses Washington, his autobiography, and his program to consider the meanings of Up From Slavery, the plight of African Americans, and possible responses by blacks in the United States and elsewhere to the highest stage of white supremacy. Collectively and individually, these essays shed light on aspects of Washington and his life that have been poorly understood. Neither a critique nor an apologia, Booker T. Washington and Black Progress offers fresh perspectives by leading scholars on one of the most remarkable and influential figures in turn-of-the-century America, providing a new appreciation of both the man and his times.

UP FROM SLAVERY The autobiography of Booker T Washington is a startling portrait ofone of the great Americans of the late nineteenth and early twentieth century. The illegitimate son of 'a white man and a Negro slave, Washington, a man who struggled for his education, would go on to struggle for the dignity of all his people in a hostile and alien society. THE SOULS OF BLACK FOLK W.E.B. DuBois's classic is a major sociological document and one of the momentous books in the mosaic of American literature. No other work has had greater influence on black thinking, and nowhere is the African-American's unique heritage and his kinship with all men so passionately described. THE AUTOBIOGRAPHY OF AN EX-COLORED MAN Originally published anonymously, James Weldon Johnson's penetrating work is a remarkable human account of the life of black Americans in the early twentieth century and a profound interpretation of his feelings towards the white man and towards members of his own race. No other book touches with such understanding and objectivity on the phenomenon once called "passing" in a white society. These three narratives, gathered together in Three Negro Classics chronicle the remarkable evolution of African-American consciousness on both a personal and social level. Profound, intelligent, and insightful, they are as relevant today as they have ever been. The Autobiography of Booker T. Washington is a startling portrait of one of the great Americans of the late nineteenth and early twentieth century. The illegitimate son of a white man and a Negro slave, Washington, a man who struggled for his education, would go on to struggle for the dignity of all his people in a hostile and alien society.W.E.B. DuBois's classic is a major sociological document and one of the momentous books in the mosaic of American literature. No other work has had greater influence on black thinking, and nowhere is the African-American's unique heritage and his kinship with all men so passionately described.Originally published anonymously, James Weldon Johnson's penetrating work is a remarkable human accout of the life of black Americans in the early twentieth century and a profound interpretation of his feelings towards the w3hite man and towards members of his own race. No other book touches with such understanding and objectivity on the phenomenon once called "passing" in a white society.These three narratives, gathered together in Three Negro Classics, chronicle the remarkable evolution of African-American consciousness on both a personal and social level. Profound, intelligent, and insightful, they are as relevant today as they have ever been.