From the acclaimed author of Shackling Water comes the first great race novel of the twenty-first century, an incendiary and ruthlessly funny satire about violence, pop culture, and American identity. Macon Detornay is a suburban white boy possessed and politicized by black culture, and filled with rage toward white America. After moving to New York City for college, Macon begins robbing white passengers in his taxicab, setting off a manhunt for the black man presumed to be committing the crimes. When his true identity is revealed, Macon finds himself to be a celebrity and makes use of the spotlight to hold forth on the evils and invisibility of whiteness. Soon he launches the Race Traitor Project, a stress-addled collective that attracts guilty liberals, wannabe gangstas, and bandwagon riders from all over the country to participate in a Day of Apology—a day set aside for white people to make amends for four hundred years of oppression. The Day of Apology pushes New York City over the edge into an epic riot, forcing Macon to confront the depth of his own commitment to the struggle. Peopled with all manner of race pimps and players, Angry Black White Boy is a stunning breakout book from a critically acclaimed young writer and should be required reading for anyone who wants to get under the skin of the complexities of identity in America.

As a young student, Joseph Phillips once overheard someone say of him, "He talk like a white boy!" The Denver native never thought that speaking correctly would cause others to question his authenticity as an African-American. Little did he know what lay in his future. His choices in music, politics, faith, and family have given rise to many accusations of his not being "black enough." As an actor, Joseph has encountered even more pointing fingers, this time for not being liberal enough for Hollywood. With a frank voice and a loving heart, this brilliant, conservative and outspoken African-American man presents a series of funny and thought-provoking essays that speak to the simple fact that authenticity is far more complicated that one's choice of words or music

A slapstick satire on race relations featuring Gunnar Kaufman, a black writer from Santa Monica who becomes famous by saying all the right things whites want to hear. The novel pokes fun at both blacks and whites. A first novel.

From antebellum readers avidly consuming stories featuring white southern men as benevolent patriarchs, hell-raising frontiersmen, and callous plantation owners to post--Civil War southern writers seeking to advance a model of southern manhood and male authority as honorable, dignified, and admirable, the idea of a distinctly southern masculinity has reflected the broad regional differences between North and South. In the latter half of the twentieth century and beyond, the media have helped to shape modern models of white manhood, not only for southerners but for the rest of the nation and the world. In White Masculinity in the Recent South, thirteen scholars of history, literature, film, and environmental studies examine modern white masculinity, including such stereotypes as the good old boy, the redneck, and the southern gentleman. With topics ranging from southern Protestant churches to the music of Lynyrd Skynyrd, this cutting-edge volume seeks to do what no other single work has done: to explore the ways in which white southern manhood has been experienced and represented since World War II. Using a variety of approaches -- cultural and social history, close readings of literature and music, interviews, and personal stories -- the contributors explore some of the ways in which white men have acted in response to their own and their culture's conceptions of white manhood. Topics include neo-Confederates, the novels of William Faulkner, gay southern men, football coaching, deer hunting, church camps, college fraternities, and white men's responses to the civil rights movement. Taken together, these engaging pieces show how white southern men are shaped by regional as well as broader American ideas of what they ought to do and be. White men themselves, the contributors explain, view the idea of southern manhood in two seemingly contradictory ways -- as something natural and as something learned through rites of initiation and passage -- and believe it must be lived and displayed to one's peers and others in order to be fully realized. While economic and social conditions of the South changed dramatically in the twentieth century, white manhood as it is expressed in the contemporary South is still a complex, contingent, historicized matter, and broadly shared -- or at least broadly recognized -- notions of white southern manhood continue to be central to southern culture. Representing some of the best recent scholarship in southern gender studies, this bold collection invites further explorations into twenty-first-century white southern masculinity.

In 1738, a great plague killed nearly half the Cherokee people and drove the survivors higher into the Smoky Mountains. Years later another kind of plague the invasion of the white men would ultimately lead to the forced exodus of the Cherokees in 1838 on the Trail of Tears. During this hundred-year span, murder and massacre prey on all people in the Enchanted Land, including the Africans who were brought to this land not by choice, but by slavery. Born into this world is Bucklee Brown, a boy destined to live in a mystical land where Cherokee spiritualism and Christian beliefs collide and blend. Unto this land come the soldiers following brutally clear orders to remove the Cherokees by any means necessary. Blood law and blood lust lead to battle in the blue smoke of the great mountains. This is a time of good and evil, of redemption and revenge. In the midst of tragedy and death, this is a time of spiritual strength found through faith in an amazing grace.