The fortieth-anniversary edition of a classic and prescient work on death and dying. Much of today's literature on end-of-life issues overlooks the importance of 1970s social movements in shaping our understanding of death, dying, and the dead body. This anniversary edition of Lyn Lofland's The Craft of Dying begins to repair this omission. Lofland identifies, critiques, and theorizes 1970s death movements, including the Death Acceptance Movement, the Death with Dignity Movement, and the Natural Death movement. All these groups attempted to transform death into a “positive experience,” anticipating much of today's death and dying activism. Lofland turns a sociologist's eye on the era's increased interest in death, considering, among other things, the components of the modern “face of death” and the “craft of dying,” the construction of a dying role or identity by those who are dying, and the constraints on their freedom to do this. Lofland wrote just before the AIDS epidemic transformed the landscape of death and dying in the West; many of the trends she identified became the building blocks of AIDS activism in the 1980s and 1990s. The Craft of Dying will help readers understand contemporary death social movements' historical relationships to questions of race, class, gender, and sexuality and is a book that everyone interested in end-of-life politics should read.

The Medicalization of dying and the disregard for the life of the soul within contemporary health care prompt the return of the Ars moriendi, or The Art of Dying. This widely influential fifteenth-century text was designed to guide dying persons and their loved ones in Catholic religious practices at a time when access to a priest and the sacraments was similarly limited. This remarkable and inspiring work serves as a valuable resource for Catholic today, encouraging their full participation in the rich sacramental and liturgical tradition of the Church and challenging them to keep their eyes fixed on Christ and the promise of eternal life with him. This new translation includes illuminating annotations on its theological and pastoral content. A scholarly introduction examines the book's history, use, and present application. The book contains exact reproductions of the original medieval woodblock prints. Additional prayers have been incorporated from the longer version of the work, newly translated with Latin originals. The appendix presents confessions of faith, explanations of the sacraments, and guides to the examination of conscience, the rosary, and the divine mercy chaplet.

A moving reflection on a subject that touches us all, by the bestselling author of Claire of the Sea Light Edwidge Danticat’s The Art of Death: Writing the Final Story is at once a personal account of her mother dying from cancer and a deeply considered reckoning with the ways that other writers have approached death in their own work. “Writing has been the primary way I have tried to make sense of my losses,” Danticat notes in her introduction. “I have been writing about death for as long as I have been writing.” The book moves outward from the shock of her mother’s diagnosis and sifts through Danticat’s writing life and personal history, all the while shifting fluidly from examples that range from Gabriel García Márquez’s One Hundred Years of Solitude to Toni Morrison’s Sula. The narrative, which continually circles the many incarnations of death from individual to large-scale catastrophes, culminates in a beautiful, heartrending prayer in the voice of Danticat’s mother. A moving tribute and a work of astute criticism, The Art of Death is a book that will profoundly alter all who encounter it.

The first full-length study of sixteenth-century Spanish attitudes towards death and the afterlife.

The church does not cope very well with dying. Instead of using its own resources to mount a positive end-of-life ministry for the terminally ill, it outsources care to secular models, providers, and services. A terminal diagnosis typically triggers denial of impending death and placing faith in the techniques and resources of modern medicine. If a cure is not forthcoming, the patient and his or her loved ones experience a sense of failure and bitter disappointment. This book offers a critical analysis of the church's failure to communicate constructively about dying, reminding the church of its considerable liturgical, scriptural, and pastoral resources when it ministers to the terminally ill. The authors, who have all been personally and professionally involved in end-of-life issues, suggest practical, theological bases for speaking about dying, communicating with those facing death, and preaching about dying. They explore how dying--in baptism--begins and informs the Christian's life story. They also emphasize that the narrative of faith embraces dying, and they remind readers of scriptural and christological resources that can lead toward a "good dying." In addition, they present current best practices from health professionals for communication among caregivers and those facing death. The book includes a foreword by Stanley Hauerwas.

How we die reveals much about how we live. In this provocative book, Shai Lavi traces the history of euthanasia in the United States to show how changing attitudes toward death reflect new and troubling ways of experiencing pain, hope, and freedom. Lavi begins with the historical meaning of euthanasia as signifying an "easeful death." Over time, he shows, the term came to mean a death blessed by the grace of God, and later, medical hastening of death. Lavi illustrates these changes with compelling accounts of changes at the deathbed. He takes us from early nineteenth-century deathbeds governed by religion through the medicalization of death with the physician presiding over the deathbed, to the legalization of physician-assisted suicide. Unlike previous books, which have focused on law and technique as explanations for the rise of euthanasia, this book asks why law and technique have come to play such a central role in the way we die. What is at stake in the modern way of dying is not human progress, but rather a fundamental change in the way we experience life in the face of death, Lavi argues. In attempting to gain control over death, he maintains, we may unintentionally have ceded control to policy makers and bio-scientific enterprises.