In 3 months, the citizens of the EuroBloc will decide whether to abolish Sorting. If they vote the wrong way, Margo and everyone she cares about will die. While Bane struggles to cope with the loss of his eyes, the lives of millions are at stake. But threats soon loom from unexpected quarters, compromising the security of the Vatican itself.

IN MARGO'S WORLD, IF YOU DON'T PASS YOUR SORTING AT 18 YOU ARE RECYCLED. LITERALLY. Margaret Verrall dreams of marrying the boy she loves and spending her life with him. But she's part of the underground network of Believers - and that carries the death penalty. And there's just one other problem. She's going to fail her Sorting. But a chance to take on the system ups the stakes beyond mere survival. Now she has to break out of the Facility - or face the worst punishment of all. Conscious Dismantlement. 14+ "Great style - very good characters and pace. Definitely a book worth reading, like The Hunger Games." EOIN COLFER, author of Artemis Fowl "An intelligent, well-written and enjoyable debut from a young writer with a bright future." STEWART ROSS, author of The Soterion Mission "This book invaded my dreams." SR MARY CATHERINE BLOOM OP

The heartbreaking true story of two families' thirty-year fight for justice for their murdered daughters On 9 October 1986, Russell Bishop sexually assaulted and strangled nine-year-old Nicola Fellows and Karen Hadaway, in woods near Brighton. He did not answer for his crimes for over thirty years. Bishop - a petty criminal known to both girls' families - was charged after his suspiciously close involvement in the search for the bodies. But a last-minute change of testimony from his then-girlfriend allowed him to go free, and the Babes in the Woods murders became one of Britain's most infamous cold cases. In this first book on the case, veteran crime reporter Paul Cheston brings to life this thirty-year saga of murder, betrayal and injustice - before three decades of hurt led, at last, to healing, justice and hope for the parents of two murdered girls. Written with the approval and cooperation of the Fellows family, The Babes in the Woods Murders sheds light once and for all on the awful truth behind what happened on 9 October 1986, and how the courtroom dramas that unfolded over a generation finally brought down one of Britain's most depraved killers.

From the author of the New York Times bestselling novels The Handmaid’s Tale—now an Emmy Award-winning Hulu original series—and Alias Grace, now a Netflix original series. Imprisoned by walls of their own construction, here are three people, each in midlife, in midcrisis, forced to make choices--after the rules have changed. Elizabeth, with her controlled sensuality, her suppressed rage, is married to the wrong man. She has just lost her latest lover to suicide. Nate, her gentle, indecisive husband, is planning to leave her for Lesje, a perennial innocent who prefers dinosaurs to men. Hanging over them all is the ghost of Elizabeth's dead lover...and the dizzying threat of three lives careening inevitably toward the same climax.

In these ten dazzling interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present. In “The Art of Cooking and Serving,” the twelve-year-old narrator does her best to accommodate the arrival of a baby sister. After she boldly declares her independence, we follow the narrator into young adulthood and then through a complex relationship. In “The Entities,” the story of two women haunted by the past unfolds. The magnificent last two stories reveal the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage. This is vintage Atwood, writing at the height of her powers.

Faced with the difficulties of growing up and choosing a religion, a twelve-year-old girl talks over her problems with her own private God.

Moving Lessons is an insightful and sophisticated look at the origins and influence of dance in American universities, focusing on Margaret H'Doubler, who established the first university courses and the first degree program in dance (at the University of Wisconsin). Dance educator and historian Janice Ross shows that H'Doubler (1889–1982) was both emblematic of her time and an innovator who made deep imprints in American culture. An authentic "New Woman," H'Doubler emerged from a sheltered female Victorian world to take action in the public sphere. She changed the way Americans thought, not just about female physicality but also about higher education for women. Ross brings together many discourses—from dance history, pedagogical theory, women's history, feminist theory, American history, and the history of the body—in intelligent, exciting, and illuminating ways and adds a new chapter to each of them. She shows how H'Doubler, like Isadora Duncan and other modern dancers, helped to raise dance in the eyes of the middle class from its despised status as lower-class entertainment and "dangerous" social interaction to a serious enterprise. Taking a nuanced critical approach to the history of women's bodies and their representations, Moving Lessons fills a very large gap in the history of dance education.