Throughout the 1980s and 1990s, the author's family lived aboard a 47-foot sailboat, spending their summers along the U.S. East Coast and their winters in the Bahamas. As an adult, she lived aboard her own 28-foot sailboat and had several relationships trying to find someone who wasn't intimidated by her stubborn independence and free-spirited lifestyle.

At the age of 17, Randall Hunsacker shoots his mother's boyfriend, steals a car and comes close to killing himself. His second chance lies in a small Nebraska farm town, where the landmarks include McKibben's Mobil Station, Frmka's Superette, and a sign that says The Wages of Sin is Hell. This is Goodnight, a place so ingrown and provincial that Randall calls it "Sludgeville"-until he starts thinking of it as home. In this pitch-perfect novel, Tom McNeal explores the currents of hope, passion, and cruelty beneath the surface of the American heartland. In Randall, McNeal creates an outcast whose redemption lies in Goodnight, a strange, small, but ultimately embracing community where Randall will inspire fear and adulation, win the love of a beautiful girl and nearly throw it all away.

The miraculous account of the man who survived alone and adrift at sea longer than anyone in recorded history. For fourteen months, Alvarenga survived constant shark attacks. He learned to catch fish with his bare hands. He built a fish net from a pair of empty plastic bottles. Taking apart the outboard motor, he fashioned a huge fishhook. Using fish vertebrae as needles, he stitched together his own clothes. Based on dozens of hours of interviews with Alvarenga and interviews with his colleagues, search and rescue officials, the medical team that saved his life and the remote islanders who nursed him back to health, this is an epic tale of survival. Print run 75,000.

In clothing, Bermuda Shorts are a kind of casual formal wear – and in this collection of essays, Bermuda Shorts is the perfect metaphor for James J. Patterson’s fundamentally serious but playful literary style. Patterson writes like the love child of Henry Miller and Mary Karr, with all the contradictions that implies — a philosopher who thinks best over a glass of fine wine; an ex-Catholic still haunted by the image of the Crucifixion; an irreverent political satirist whose patriotism flies the flag of another iconoclast, Thomas Paine. Patterson grew up with a foot planted in each of two worlds — one in Washington DC, the Capital of the Empire as he calls it, where the wheels of power spin, and one in rural Ontario, where his Canadian mother insisted the family spend their summers. His father, one of the wizards of twentieth century newspaper publishing, introduced him to the city’s wheels of money and power, which he would later navigate as an entrepreneur, starting his first business at 20. But those Canadian summers introduced him to a different world – one where a cedar strip boat was better than any car, and where the ghosts of those who'd previously inhabited the family’s island house floated out over the water of Lovesick Lake. It is those two worlds that blend in this collection, in reflections both serious and playful, on what it means to be a man, an artist, an iconoclast, a patriot, a lover, as the 20th century rolls over into the 21st.

Prayers for the Living is a novel both grand in its vision and loving in its familiarity. Presented in a series of conversations between grandmother Minnie Bloch and her companions, Alan Cheuse, National Public Radio commentator on All Things Considered, unfolds a layered family portrait of three generations of the Bloch family, whose members are collapsing under everyday burdens and brutal betrayals. Her son Manny is a renowned, almost legendary rabbi. Respected by his congregants and surrounded by family, no one suspects that he yearns for a life of greater personal glory, but when an oracular bird delivers what Manny believes to be a message from his deceased father, he abandons his congregation in pursuit of a life in business and his entire life spirals out of control. As Manny’s fortunes rise in the corporate realm, he falls deeper into an affair with a congregant, a Holocaust survivor, his wife sinks deeper into alcoholism and depression and his daughter, traumatized by a sexual scandal at college, makes Manny the target of a plot to shatter his newly-found empire. The devoted family matriarch, Minnie, observes and recounts the tragic downfall of her family, unable to save them from themselves.

"Can't Kim be happy?" This is the question asked of Kim Korson--a female Woody Allen--at her first (and last) shrink appointment, and her chief dilemma in this fresh-voiced, hilarious take on what it means to be a malcontent. "Go find your happy place!" Kim Korson's befuddled husband exclaims one day, as his disgruntled wife is listing about the house (as malcontents are wont to do.) It sounds simple enough--only Kim can't. Because she doesn't have one. I Don't Have a Happy Place is an exploration of Kim's oftentimes irrational, at times self-induced, and nearly perpetual state of unhappiness, told through a series of humorous, autobiographical essays.