The legendary 1950s-era TV show Happy Days gets reinvented as a gritty, “shamelessly entertaining” (Kirkus Reviews) 1980s noir. Late October, 1984. Prince and Bruce are dominating FM radio. Ron and Nancy are headed back to the White House. And Richard Cunningham? Well, Richard Cunningham is having a really bad Sunday. First, there’s the meeting with his agent. A decade ago, the forty-something Cunningham was one of Hollywood’s hottest screenwriters. But now Tinseltown is no longer interested in his artsy, introspective scripts. They want Terminator cyborgs and exploding Stay Puft Marshmallow men. Then later that same day Richard gets a phone call with even worse news: His best friend from childhood back in Milwaukee is dead. Arthur Fonzarelli. The Fonz. He lost control of his motorcycle while crossing a bridge and plummeted into the water below. Two days of searching and still no body, no trace of his trademark leather jacket, and Richard suspects murder. With the help of his old pals Ralph Malph and Potsie Weber, he sets out to catch the killer. “Readers yearning for simpler times will enjoy this trip down memory lane, which is as comforting as an episode of Happy Days” (Publishers Weekly). Who Killed the Fonz? imagines what happened to the characters of the legendary TV show Happy Days twenty years after the series left off. And while much has changed in the interim—goodbye drive-in movie theaters, hello VCRs—the story centers around the same timeless themes as the show: The meaning of family. The significance of friendship. The importance of community. “Wildly inventive and entertaining” (Booklist), Who Killed the Fonz? is an “irresistible” (New York Newsday) twist on a beloved classic that proves sometimes you can go home again. TM & © 2018 CBS Studios Inc. All Rights Reserved

Musical Characters: 10 male, 7 female, Cast can be expanded for large groups This abridged, 90-minute version, is perfect for school groups. Goodbye gray skies, hello blue! Happy days are here again with Richie, Potsie, Ralph Malph and the unforgettable "king of cool" Arthur "The Fonz" Fonzarelli. Based on the hit Paramount Pictures television series, Happy Days, A New Musical reintroduces one of America's best loved families, the Cunninghams -- yes, Howard,

After the techno-futurism of the 1950s and the utopian 1960s vision of a “great society,” the 1970s saw Americans turning to the past as a source for both nostalgic escapism and serious reflection on the nation’s history. While some popular works like Grease presented the relatively recent past as a more innocent time, far away from the nation’s post-Vietnam, post-Watergate malaise, others like Roots used America’s bicentennial as an occasion for deep soul-searching. Happy Days investigates how 1970s popular culture was obsessed with America’s past but often offered radically different interpretations of the same historical events and icons. Even the figure of the greaser, once an icon of juvenile delinquency, was made family-friendly by Henry Winkler’s Fonzie at the same time that he was being appropriated in more threatening ways by punk and gay subcultures. The cultural historian Benjamin Alpers discovers similar levels of ambivalence toward the past in 1970s neo-noir films, representations of America’s founding, and neo-slave narratives by Alex Haley and Octavia Butler. By exploring how Americans used the 1970s to construct divergent representations of their shared history, he identifies it as a pivotal moment in the nation’s ideological fracturing.

Happy Daysis here again... and so areMork & Mindy, Cheers,and the other Paramount greats Ah, the golden age of television sitcoms. Remember the first time we saw Robin Williams...onMork & Mindy? Remember how funnyLaverne & Shirleywas? Remember settling down to watchCheersevery Thursday night for years? Here’s the inside scoop on all of those shows and more--the behind-the-scenes stories, the intricate interactions between cast and crew, the stories of how these shows were the springboard for dozens of great careers, for such stars as Tom Hanks (dressed as a woman! onBosom Buddies!), Penny Marshall, Andy Kaufman, Kelsey Grammar, Ted Danson, Henry Winkler, Judd Hirsch, Bebe Neuwirth, and so many more. Each chapter focuses on a specific hit series and is packed with intriguing details and interviews. Anyone who’s ever stayed up late to watch reruns ofTaxi(or any of the other great Paramount sitcoms) will want a copy ofHappier Daysto read during the commercials. • Baby boomers everywhere will love this book • Exclusive interviews with big stars who started in sitcoms • Appeal for film buffs, celebrity followers, TV historians, and nostalgia fans