Meet Anita Blake, Vampire Hunter, in the first novel in the #1 New York Times bestselling series that “blends the genres of romance, horror and adventure with stunning panache”(Diana Gabaldon). Laurell K. Hamilton’s bestselling series has captured readers’ wildest imaginations and addicted them to a seductive world where supernatural hungers collide with the desires of the human heart, starring a heroine like no other... Anita Blake is small, dark, and dangerous. Her turf is the city of St. Louis. Her job: re-animating the dead and killing the undead who take things too far. But when the city’s most powerful vampire asks her to solve a series of vicious slayings, Anita must confront her greatest fear—her undeniable attraction to master vampire Jean-Claude, one of the creatures she is sworn to destroy... “What The Da Vinci Code did for the religious thriller, the Anita Blake series has done for the vampire novel.”—USA Today

One of Daphne Wade's guilty pleasures is to watch the Duke of Tremore as he works, shirtless, on the excavation site of his ducal estate. Anthony Courtland is by far the most exciting and handsome man she has ever known, and she dreams of one day being able to speak with him without getting tongue tied. Anthony, meanwhile, only sees Daphne as a hard worker on his excavation team. He considers her a plain young lady and says so in a careless remark to a friend, unaware that Daphne is outside the library door, her heart shattering to pieces. So Daphne decides she will not be so silly any longer. She begins to be tutored in the social graces, forcing Anthony to see the beauty who has been right in front of his eyes.

Guilty pleasures in one’s reading habits are nothing new. Late-nineteenth-century American literary culture even championed the idea that popular novels need not be great. Best-selling novels arrived in the public sphere as at once beloved and contested objects, an ambivalence that reflected and informed America’s cultural insecurity. This became a matter of nationhood as well as aesthetics: the amateurism of popular narratives resonated with the discourse of new nationhood. In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Tom’s Cabin, Ben Hur, and Trilby as well as fictional representations—from Trollope to Baldwin—of American culture’s lack of artistic greatness. Drawing on a transatlantic archive of contemporary criticism, urban display, parody, and advertising, Guilty Pleasures thoroughly documents how the conflicted attitude toward popular novels shaped these ephemeral modes of response. Paying close attention to this material history of novel reading, McIntosh reveals how popular fiction’s unique status as socially saturating and aesthetically questionable inspired public reflection on what it meant to belong to a flawed national community.

Previously released and available as a full-length novel, Guilty Pleasure is now available as a three-part e-serial for those who want to savor the pleasure... Welcome to The Club. A secretive, select group where uninhibited desires and forbidden fantasies run wild, in the first part of #1 New York Times bestselling author Lora Leigh’s novel Guilty Pleasure. Marty Mathews has always known about the secret, forbidden pleasures that the women she grew up with enjoy. Women whose husbands or lovers are members of the exclusive Club, where they take a selected "third" into their beds. And there is one man—a dangerous, forbidden man—who is part of this world and who has haunted Marty's dreams for years....

Eva and Jake Kelly learn that not every con can end perfectly when they rob acruise ship en route to Miami.