Here is a new Loeb Classical Library edition of Homer's stirring heroic account of the Trojan war and its passions. The eloquent and dramatic epic poem captures the terrible anger of Achilles, "the best of the Achaeans," over a grave insult to his personal honor and relates its tragic result: a chain of consequences that prove devastating for the Greek forces besieging Troy, for noble Trojans, and for Achilles himself. The poet gives us compelling characterizations of his protagonists as well as a remarkable study of the heroic code in antiquity. The works attributed to Homer include the two oldest and greatest European epic poems, the Odyssey and the Iliad. These have been published in the Loeb Classical Library for three quarters of a century, the Greek text facing a faithful and literate prose translation by A.T. Murray. William F. Wyatt now brings the Loeb's Iliad up to date, with a rendering that retains Murray's admirable style but is written for today's readers.

David and Goliath, the call of Samuel, the witch of Endor, David and Bathsheba — such biblical stories are well known. But the books of 1 and 2 Samuel, where they are recorded, are among the most difficult books in the Bible. The Hebrew text is widely considered corrupt and sometimes even unintelligible. The social and religious customs are strange and seem to diverge from the tradition of Moses. In this first part of an ambitious two-volume commentary on the books of Samuel, David Toshio Tsumura sheds considerable light on the background of 1 Samuel, looking carefully at the Philistine and Canaanite cultures, as he untangles the difficult Hebrew text.

Presents numismatics from the ancient harbor town of Dor/Dora in modern Israel with a history that spanned from the Bronze Age until the Late Roman Era.

This unique study examines the interface between contemporary philosophy and literature through Alexander Pope’s majestic translation of the Odyssey of Homer. Employing the lens supplied by the philosopher Graham Harman in his development of Object-Oriented Ontology, it explores the beautiful (and sometimes dazzling) figurative language of both Pope’s English and Homer’s Greek; in so doing, it uncovers something of the vast withdrawn and subterranean reality to which the poems can only allude, setting this against a contrasting sensual world—a world encrusted with shimmering images and objects that range from the quotidian to the metaphysically bizarre.