First published in 1961 by Stackpole Books, Street without Joy is a classic of military history. Journalist and scholar Bernard Fall vividly captured the sights, sounds, and smells of the brutal— and politically complicated—conflict between the French and the Communist-led Vietnamese nationalists in Indochina. The French fought to the bitter end, but even with the lethal advantages of a modern military, they could not stave off the Viet Minh insurgency of hit-and-run tactics, ambushes, booby traps, and nighttime raids. The final French defeat came at Dien Bien Phu in 1954, setting the stage for American involvement and a far bloodier chapter in Vietnam‘s history. Fall combined graphic reporting with deep scholarly knowledge of Vietnam and its colonial history in a book memorable in its descriptions of jungle fighting and insightful in its arguments. After more than a half a century in print, Street without Joy remains required reading.

This classic account of the French War in Vietnam, Laos, and Cambodia is back in hardcover. Includes an introduction by George C. Herring.

Bernard B Fall was 40 years old when he was killed by a booby trap in northern South Vietnam on February 21, 1967. By the time of his death he had already authored seven books on Vietnam. This book, first published shortly after Dr Fall's death, is a tribute to his life's work. It contains the only known autobiographical account of his life, several previously unpublished articles, notes for 'Street Without Joy Revisited', and transcripts of Dr Fall's tape recordings, including his last recorded words.

Bernard Fall wrote the classics Street Without Joy and Hell in a Very Small Place, which detailed the French experience in Vietnam. One of the first (and the best-informed) Western observers to say that the United States could not win there either, he was killed in Vietnam in 1967 while accompanying a Marine platoon. Written by his widow Dorothy, Bernard Fall: Memories of a Soldier-Scholar tells the story of this courageous and influential Frenchman, who experienced many of the major events of the twentieth century. His mother perished at Auschwitz, his father was killed by the Gestapo, and he himself fought in the Resistance. It focuses, however, on Vietnam and on two love stories. The first details Fall's love for Vietnam and his efforts to save the country from destruction and the United States from disaster. The second shows a husband and father dedicated to a cause that continuously lured him away from those he loved. With a foreword by the late David Halberstam.

From the bestselling social commentator and cultural historian comes Barbara Ehrenreich's fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy In the acclaimed Blood Rites, Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing. Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and "savage," Ehrenreich shows that they were indigenous to the West, from the ancient Greeks' worship of Dionysus to the medieval practice of Christianity as a "danced religion." Ultimately, church officials drove the festivities into the streets, the prelude to widespread reformation: Protestants criminalized carnival, Wahhabist Muslims battled ecstatic Sufism, European colonizers wiped out native dance rites. The elites' fear that such gatherings would undermine social hierarchies was justified: the festive tradition inspired French revolutionary crowds and uprisings from the Caribbean to the American plains. Yet outbreaks of group revelry persist, as Ehrenreich shows, pointing to the 1960s rock-and-roll rebellion and the more recent "carnivalization" of sports. Original, exhilarating, and deeply optimistic, Dancing in the Streets concludes that we are innately social beings, impelled to share our joy and therefore able to envision, even create, a more peaceable future. "Fascinating . . . An admirably lucid, level-headed history of outbreaks of joy from Dionysus to the Grateful Dead."—Terry Eagleton, The Nation

America's wars after the 9/11 attacks were marked by a political obsession with terrorist 'sanctuaries' and 'safe havens'. From mountain redoubts in Afghanistan to the deserts of Iraq, Washington's policy-makers maintained an unwavering focus on finding and destroying the refuges, bases and citadels of modern guerrilla movements, and holding their sponsors to account. This was a preoccupation embedded in nearly every official speech and document of the time, a corpus of material that offered a new logic for thinking about the world. As an exercise in political communication, it was a spectacular success. From 2001 to 2009, President George W. Bush and his closest advisors set terms of reference that cascaded down from the White House, through government and into the hearts and minds of Americans. 'Sanctuary' was the red thread running through all of it, permeating the decisions and discourses of the day. Where did this obsession come from? How did it become such an important feature of American political life? In this new political history, Michael A. Innes explores precedents, from Saigon to Baghdad, and traces how decision-makers and their advisors used ideas of sanctuary to redefine American foreign policy, national security, and enemies real and imagined.