This Whiting Award Winner is “a bold, funny, mordant, and deeply intelligent debut” (David Foster Wallace, author of Infinite Jest). A New York Times Editors’ Choice Benjamin arrives with his parents for a tour of Roaring Orchards, a therapeutic boarding school tucked away in upstate New York. Suddenly, his parents are gone and Benjamin learns that he is there to stay. Sixteen years old, and two failed suicide attempts, Benjamin must navigate his way through a new world of morning meds, candor meetings, and cartoon brunches—all run by adults who have yet to really come of age themselves. The only person who comprehends the school’s many rules and rituals is Aubrey, the founder and headmaster who is fragile, brilliant, and prone to rage. But when Aubrey falls ill, life at the school begins to unravel. Benjamin has no one to rely on but the other students, in particular an intriguing but untrustworthy girl named Tidbit. More and more, Benjamin thinks about running away from Roaring Orchards—but he feels an equal need to know just what it is he would be leaving behind . . .

"We have traded tales, my buddies and I; of affairs, encounters, secrets, fears, self-promotion-of fantasies that we make real in the telling." In this, the first volume in Ethan Mordden's acclaimed trilogy on Manhattan gay life, he introduces a small group of friends-Dennis Savage, Little Kiwi, Carlos, and the narrator, Bud-and chronicles their exploration of the new world of gay life and the new people they are in the process of becoming. In a voice at once ironic, wistful, witty, and profound, Mordden investigates his suspicion that all of gay life is stories and that, somehow or other, all these stories are about love.

For fans of Jennifer Niven’s All the Bright Places and Meg Wolitzer’s Belzhar comes an emotionally thrilling tale of a friendship between a girl who feels too much and a boy who feels too little, as they discover that maybe pain can bring people together and not just tear them apart. Samantha Herring has been in constant pain ever since the car accident that injured her leg and killed her mother. After pushing her friends away, Sam has receded into a fog of depression until she meets Eliot, a carefree, impulsive loner who, is unable to feel any pain at all. At first, Sam is jealous. She would give anything to not feel the pain she’s felt for the past year. But the more she learns about Eliot’s medical condition, the more she notices his self-destructive tendencies. In fact, Eliot doesn’t seem to care about anything—except Sam. And as they grow closer, they begin to confront Sam’s painful memories of the accident, memories that hold a startling truth about what really happened that day.

A box with Love Letters From Vietnam etched on top holds letters written from a passionate yet deeply flawed soldier to his wife decades ago, but stays buried in a closet for years, until the Vietnam veteran is gunned down in the driveway of the home he rents for his mistress. As a way to work through her anger and sense of betrayal, his daughter, Jennifer, opens the box and sorts through the letters, answering four of them back in time to Vietnam . . . and then she writes to him in the heaven she hopes he has now found. After attending Alex Woodard's concert, Jennifer sends the singer-songwriter her package of letters, which launches Woodard on his own journey of exploring the dichotomy between dark and light as he imagines himself as Sergeant Fuller at war and begins to write songs sung from Fuller's heart. An album of songs included with the book propels this true story and features Woodard as Sergeant Fuller and Molly Jenson as Jennifer, singing songs based on the exchange of letters as a soundtrack that can hopefully lead to a final, redemptive father-daughter dance in Jennifer's heart.

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

"Dan Josefson is a writer of astounding promise a . . . a bold, funny, mordant, and deeply intelligent debut." —David Foster Wallace, author of Infinite Jest WINNER OF THE 2015 WHITING AWARD FOR FICTION New York Times Editors’ Choice Benjamin arrives with his parents for a tour of Roaring Orchards, a therapeutic boarding school tucked away in upstate New York. Suddenly, his parents are gone and Benjamin learns that he is there to stay. Sixteen years old, a two-time failed suicide, Benjamin must navigate his way through a new world of morning meds, popped privileges, candor meetings and cartoon brunches—all run by adults who themselves have yet to really come of age. The only person who comprehends the school's many rules and rituals is Aubrey, the founder and headmaster. Fragile, brilliant, and prone to rage, he is as likely to use his authority to reward students as to punish them. But when Aubrey falls ill, life at the school begins to unravel. Benjamin has no one to rely on but the other students, especially Tidbit, an intriguing but untrustworthy girl with a "self-afflicting personality." More and more, Benjamin thinks about running away from Roaring Orchards—but he feels an equal need to know just what it is he would be leaving behind.