The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the "phoniness" of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being "the catcher in the rye," a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery..

At 76, Mr C. is a man on the edge. Tired of life, the constant disappointments and excruciating boredom, this old man has had enough. From his retirement home, He resolves to seize whatever diginity he has left and end his life in the only place he truly feels at home: Goddam New York City. Armed with a deathwish and an enduring hatred of all things phony, he takes the reader on the ultimate journey: from one life to the next. In his final days the 76-year- old boy still only wants to be the Catcher in the Rye'.'

When they were too impoverished to raise their families, ancient Sumerians sold their children into bondage. Slave women in Rome faced never-ending household drudgery. The ninth-century Zanj were transported from East Africa to work the salt marshes of Iraq. Cotton pickers worked under terrible duress in the American South. Ancient history? Tragically, no. In our time, slavery wears many faces. James Kofi Annan's parents in Ghana sold him because they could not feed him. Beatrice Fernando had to work almost around the clock in Lebanon. Julia Gabriel was trafficked from Arizona to the cucumber fields of South Carolina. Five Thousand Years of Slavery provides the suspense and emotional engagement of a great novel. It is an excellent resource with its comprehensive historical narrative, firsthand accounts, maps, archival photos, paintings and posters, an index, and suggestions for further reading. Much more than a reference work, it is a brilliant exploration of the worst - and the best - in human society.

"Perhaps the best book by the foremost stylist of his generation" (New York Times), J. D. Salinger's Franny and Zooey collects two works of fiction about the Glass family originally published in The New Yorker. "Everything everybody does is so--I don't know--not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and--sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way." A novel in two halves, Franny and Zooey brilliantly captures the emotional strains and traumas of entering adulthood. It is a gleaming example of the wit, precision, and poignancy that have made J. D. Salinger one of America's most beloved writers.

"The puzzling, frustrating world of Holden Caulfield never loosens its grip on our imagination. Somehow, the growing pains of a privileged, alienated teenager lock onto deeper issues that continue to haunt us all. The Catcher in the Rye and Philosophy exposes these deeper issues by looking at Salinger's masterpiece through a philosophic lens."--Publisher's website.

From the early days of the antislavery movement, when political action by women was frowned upon, British and American women were tireless and uncompromising campaigners. Without their efforts, emancipation would have taken much longer. And the commitment of today's women, who fight against human trafficking and child slavery, descends directly from that of the early female activists. Speak a Word for Freedom: Women against Slavery tells the story of fourteen of these women. Meet Alice Seeley Harris, the British missionary whose graphic photographs of mutilated Congolese rubber slaves in 1904 galvanized a nation; Hadijatou Mani, the woman from Niger who successfully sued her own government in 2008 for failing to protect her from slavery, as well as Elizabeth Freeman, Elizabeth Heyrick, Ellen Craft, Harriet Tubman, Harriet Beecher Stowe, Frances Anne Kemble, Kathleen Simon, Fredericka Martin, Timea Nagy, Micheline Slattery, Sheila Roseau and Nina Smith. With photographs, source notes, and index.

In Cold Fear examines the censorship controversies over J. D. Salinger's The Catcher in the Rye as a cultural debate occurring across America, from 1954 to the present day. Catcher presents a narrative in which adolescent embrace of American ideals of individualism and egalitarianism lead to criticism and rejection of dominant postwar social practices -- a narrative as threatening to some adults as it is heartening to others. Attempts to remove Catcher from high schools as an "un-American" text have generated continuous and extensive controversy, distinguishing it as one of the most frequently taught postwar novels -- and the most frequently censored.