With interference and suggestions from his twin sister Janet, four-year-old Jimmy sets out to dig the biggest hole in the world.

One man causes chaos in the online classifieds resulting in this humorous collection of real-life email conversations. When John Lindsay launched DontEvenReply.com in June 2009, it became an instant sensation. With 60% of the book featuring entirely new material never before available on the website, Emails from an Asshole offers fans a fresh opportunity to revel in people’s gullibility. Posing as a customer or seller, Lindsay responded to a variety of classified ads, making ridiculous offers to unsuspecting victims. Their responses, and the ensuing conversations, will have readers simultaneously laughing non-stop and gasping with disbelief. “It’s like Sasha Baron Cohen on the internet.” —Jane Wells, CNBC

While fooling with a gun, Tom Potts shoots a bullet that seems to be unstoppable. A hole on each page traces the bullet's path.

Lily imagines her sadness as a hole, which is getting bigger and swallowing up her life--until a friend shows her how to patch her hole and make it managable.

“An unforgettable look at the peculiar horrors and humiliations involved in solitary confinement” from the prisoners who have survived it (New York Review of Books). On any given day, the United States holds more than eighty-thousand people in solitary confinement, a punishment that—beyond fifteen days—has been denounced as a form of cruel and degrading treatment by the UN Special Rapporteur on Torture. Now, in a book that will add a startling new dimension to the debates around human rights and prison reform, former and current prisoners describe the devastating effects of isolation on their minds and bodies, the solidarity expressed between individuals who live side by side for years without ever meeting one another face to face, the ever-present specters of madness and suicide, and the struggle to maintain hope and humanity. As Chelsea Manning wrote from her own solitary confinement cell, “The personal accounts by prisoners are some of the most disturbing that I have ever read.” These firsthand accounts are supplemented by the writing of noted experts, exploring the psychological, legal, ethical, and political dimensions of solitary confinement. “Do we really think it makes sense to lock so many people alone in tiny cells for twenty-three hours a day, for months, sometimes for years at a time? That is not going to make us safer. That’s not going to make us stronger.” —President Barack Obama “Elegant but harrowing.” —San Francisco Chronicle “A potent cry of anguish from men and women buried way down in the hole.” —Kirkus Reviews

A “sharply funny and sobering . . . portrait of a family in financial free fall” from the New York Times–bestselling author of Young Jane Young (People). With The Hole We’re In—a bold, timeless, yet all too timely novel about a troubled American family navigating an even more troubled America—award-winning author and screenwriter, Gabrielle Zevin, delivers a work that places her in the ranks of our shrewdest social observers and top literary talents. Meet the Pomeroys: a church-going family living in a too-red house in a Texas college town. Roger, the patriarch, has impulsively gone back to school, only to find his future ambitions at odds with the temptations of the present. His wife, Georgia, tries to keep things afloat at home, but she’s been feeding the bill drawer with unopened envelopes for months and never manages to confront its swelling contents. In an attempt to climb out of the holes they’ve dug, Roger and Georgia make a series of choices that have catastrophic consequences for their three children—especially for Patsy, the youngest, who will spend most of her life fighting to overcome them. The Hole We’re In shines a spotlight on some of the most relevant issues of today: over-reliance on credit, gender and class politics, and the war in Iraq. But it is Zevin’s deft exploration of the fragile economy of family life that makes this a book for the ages. “Blazing . . . Sharp . . . a Corrections for our recessionary times . . . [Zevin] establishes herself as an astute chronicler of the way we spend now.” —Publishers Weekly, starred review